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...both Cats and Phantom, says, "Andrew always has one night when he has a fit. He can become like a shark with anger. He is passionate. But that is so much better than people who settle, isn't it?" One such moment occurred during rehearsals for Starlight, when Lloyd Webber argued vehemently with Nunn over two bars of music the director had inserted in order to help the skaters negotiate a dangerous maneuver. Insisted Nunn: "You either have those bars, Andrew, or you'll have a few roller-skating deaths." "O.K.," Lloyd Webber shot back, "either we have deaths...
...must be the most intolerable person to know because I think about music all the time," says Lloyd Webber. His basic shyness and his air of indifference to most other subjects make him seem brusque and aloof. "Andrew is a very determined person, and he's very competitive," says his mother. "He has a one-track mind. He has a brisk manner and can be offhand. He has his difficult side -- he has a temper and terrific swings of mood...
When engaged in a musical discussion, Lloyd Webber fairly bursts with enthusiasm, sometimes speaking so fast he begins to trip over his tongue. He can sit at the piano for hours, discoursing on composers from Rodgers to Prokofiev. On more personal topics he is reticent. He is particularly uncomfortable about his personal fortune and tends to scale down the size of his wealth and possessions. In fact, he is sometimes criticized for being tight-fisted with his money. ("Andrew thought he was broke when he was down to his last (pounds)3 million," says one friend...
...conversation, though, is an incomplete guide to the man; Lloyd Webber's essence lies in his music. "I don't think Andrew ever puts into words accurately what he thinks about anything," Rice has said. "Yet he puts into music precisely what he thinks about something. So you don't have to listen to what he says but what he writes, which is probably why he is a great composer...
COVER: Andrew Lloyd Webber brings his smash Phantom to Broadway...