Word: webber
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...Tories upstaged both Labor and the Alliance by having Andrew Lloyd Webber, composer of Evita and Cats, write a campaign tune titled It's Great to Be Great. Party Chairman Tebbit proudly labeled the music "brand new, not second hand," like Brahms' Fourth Symphony, Labor's theme, or the Alliance's Trumpet Tune by 17th century Composer Henry Purcell. All in all, many Britons agreed with Independent Television News' Jon Snow, who declared, "The campaign has become Americanized." Labor put on a strong show by adopting staged events, photo opportunities and other techniques refined by Thatcher four years ago. Last...
When the season and her senior year end, McBride will begin work at Paine-Webber in New York...
...send up a concealed bedroom or judging stand; filling the midnight sky with stars that sketch a celestial madonna in a surge of unexamined theological kitsch. Against this whizbangery, the actors make scant impression, although Robert Torti is an oily villain and Greg Mowry a winsome underdog. Andrew Lloyd Webber's pastiche of American pop offers histrionic passages but no memorable tunes. Worse, the races -- the core of the plot -- look contrived. When one "engine" passes another, no burst of athletic elan justifies the triumph; sometimes the jockeying for position takes place out of view, sometimes the team fated...
Starlight, which opened in London in 1984, comes from a glittering team: Director Trevor Nunn, Set Designer John Napier and Lighting Designer David Hersey, who mounted Nicholas Nickleby, plus Composer Lloyd Webber and Lyricist Richard Stilgoe, who had joined the former trio to devise Cats. In reconceiving the show for Broadway, the creators had some smart ideas: instead of a gloomy, abandoned train siding, the gaudy set now represents a panorama of the U.S., dotted with highlights a child might recognize, from the Statue of Liberty to the Golden Gate Bridge; the recorded narration too is now by a child...
Musically Phantom is at once more sophisticated and less hummably memorable than most of Lloyd Webber's shows. There is no song to compare with Memory in Cats. Instead there are sequences that verge on opera, the most ambitious being a quasi-Mozartian septet. Unfortunately, the wit and scholarship of his tunes are nowhere echoed in Hart's lyrics, which oscillate between the banal and the impenetrable...