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...majority the following night when the Tories drove home their attack on the meat shortage. The Laborites squirmed, because their unity on this point was false and their consciences were burning. The day before, in a caucus of the Parliamentary Labor Party, they had turned on Food Minister Maurice Webb and berated him for incompetence. What were they to tell their meat-hungry constituents, they asked the luckless Webb...

Author: /time Magazine | Title: Foreign News: Plenty of Sleeping Pills | 2/19/1951 | See Source »

...Society, the little core of intellectuals who began back in 1884 to preach the inevitability of socialism without revolution, finally got around to choosing a new president. The choice: Sir Stafford Cripps, now in Switzerland un der treatment for a spinal ailment. He succeeds his aunt, the late Beatrice Webb, the society's first and only other president, who died...

Author: /time Magazine | Title: People: The American Way | 2/12/1951 | See Source »

...Webb, informing the marines what they are fighting for and making a spiel for future preparedness. The long speech and its reception are out of character, out of place, out of keeping with almost everything that has gone before...

Author: /time Magazine | Title: Cinema: The New Pictures, Jan. 15, 1951 | 1/15/1951 | See Source »

...first few days under censorship, the blue pencils were light and copy flowed along smoothly. But at week's end the honeymoon ended. Eighth Army Headquarters in Korea ordered NBC's Kenneth Kantor and U.P.'s Peter Webb confined to quarters for a "gross security violation" in disclosing prematurely the death of Lieut. General Walton Walker in a jeep accident (see WAR IN ASIA). Full field censorship was ordered for all press copy, and telephones used by newsmen covering Eighth Army Headquarters were removed...

Author: /time Magazine | Title: The Press: The Lid Goes On | 1/1/1951 | See Source »

Some vagrant amusement is provided by Actor Webb's impersonation of a strong, silent westerner patterned after Gary Cooper, and by Jack La Rue's bit as a movie star who fancies himself the living model of the tough, coin-flipping gangster he plays on the screen. They do nothing to repair the picture's ingrained faults. As Director Seaton himself demonstrated in Miracle on 34th Street, the supernatural elements of a fantasy are best played off against the familiar realities of an everyday world. Instead, the coy hocus-pocus of For Heaven's Sake takes...

Author: /time Magazine | Title: Cinema: The New Pictures, Dec. 18, 1950 | 12/18/1950 | See Source »

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