Word: webernism
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...slippers, the fleet wide receiver leaped to new heights last week with a troupe of inner-city youths and the Chicago City Ballet in a benefit for the Better Boys Foundation. Gault, 26, put in five practice sessions (but no chalk talk) for his number to the music of Webern. He was partnered by Ballerina Maria Terezia Balogh, whom he lifted with the greatest of ease before an appreciative audience that included Teammate Jim McMahon. Says Balogh of her dancing Bear: "He was very gentle, very relaxed and very sensitive." But not without reservations about tackling the finer arts...
...highlight Wilson's theater piece The Golden Windows, an elusive love story with a Beckett-like nonsense text and some startling stage pictures, including an earthquake that sunders the stage and a dazzling meteor shower. Just as the West German city of Darmstadt nurtured the post-Webern twelve-tone composers after World War II, so has the Brooklyn Academy offered a safe haven for the minimalists from SoHo...
...20th century, with both sides to blame. As new music became more intellectually rigorous-until the point of a work was not how it sounded but how it was "organized"-audiences searching for emotional satisfaction turned away, seeking solace in earlier periods. The counterrevolution against the Schoenberg-Webern-Boulez triumvirate is now well advanced, however, with a variety of conservatives, neoconservatives (including apostates from serialism such as George Rochberg) and so-called minimalists all striving to make new music vital again. Glass generally is lumped with Composers Steve Reich and Terry Riley in the minimalist camp because of his simple...
What made BartÓk's music so unusual, so unsettling? Other composers-Stravinsky, Prokofiev -were rhythmically tricky; still others-Schoenberg, Webern-were even less conventionally melodic. With BartÓk the difference lay in his rejection of the German musical models that had long been dominant. Visiting the dying composer in New York one day, Dorati recalls finding him engrossed in a copy of Edward Grieg's Piano Concerto. Asked why he was studying such a romantic score, BartÓk said that Grieg was important because he had "cast off the German yoke...
Maurizio Pollini: Piano Music of the 20th Century. Igor Stravinsky: Three Movements from "Petrushka. "Serge Prokofiev: Piano Sonata No. 7. Béla Bartók: Concertos for Piano and Orchestra Nos. I and 2. Arnold Schönberg: 17 short piano pieces. Anton Webern: Variations for Piano. Pierre Boulez: Second Sonata for Piano. Luigi Nono: Music for Soprano, Piano, Orchestra and Magnetic Tape (Slavka Taskova, soprano, and the Symphony Orchestra of the Bayerischen Rundfunks, Claudio Abbado, conductor; Deutsche Grammophon, five LPs). Pollini's herculean fingering stands out even in that select circle of great young pianists to which...