Word: webs
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Dates: during 1960-1969
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...Web is the trade term for the continuous paper roll used on high-speed presses...
...offset ink is heavier and more expensive than letterpress ink. and because it does not as readily absorb into the paper, the ink must either be artificially dried or the presses must be slowed to give the ink time to dry. For years, the fastest web offset presses ran at about one-third the speed of the fastest letter-presses. The tackier offset ink. together with the rubber cylinder, collects paper dust, which can botch a printing job. The web offset process is more wasteful of paper than letterpress. And on long offset-press runs, the ink tends to emulsify...
...Behemoth. But the savings that web offset offers in labor costs and makeup time have made it attractive to newspapers and periodicals of small circulation, where speed is not as essential as it is to metropolitan dailies. The time may come when offset speed will compete on near-equal terms with letterpress. In The Bronx. N.Y.. R. Hoe & Co., which makes both offset and letterpress equipment, is currently testing a web offset press, incorporating many improvements conceived by a Copenhagen printing firm, that is designed to print a 72-page newspaper, in four colors, at speeds in excess...
...even the most rabid disciples of web offset, the Lithographic Technical Foundation in Manhattan, envision the day when such presses will replace the letterpress giants that now spew out the nation's metropolitan dailies and the large-audience magazines. Printing presses have a long life-25 years or more-and their proprietors are not anxious to scrap an investment of billions of dollars overnight. And since offset eliminates some of the mechanical departments, any wholesale conversion to offset would be asking for serious labor trouble. Nor has letterpress technology stood still. Among recent developments: a new plastic plate, called...
...dancers writhe in sinuous embraces, quiver with rage or horror, or flash through the remarkably flexible configurations characteristic of Graham. But sheer movement alone is not enough to trace Phaedra's tangled web of emotion. Too dependent on narrative for which it could not always find a language, Phaedra was consistently interesting, not consistently successful...