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...Lyrics by Jay Cavior are quite clever. Choreographer Dolly Niggemeyer had little dancing talent to work with, but seems to have produced remarkable results--nothing fancy, but a varied and pleasing design. The outstanding freshness, which pervades throughout the production, may well have been stimulated by the originality of Webster Lithgow's truly inventive settings. Their informality and unobtrusiveness typifies a very relaxing and enjoyable production...

Author: By Gavin R. W. scott, | Title: Love Rides the Rails | 3/15/1956 | See Source »

...acting convincingly projected the courage and warmth of the suffragette. She received solid support from Malcolm Ticknor as Jo the Loiterer. The possessor of a considerable comic talent, Ticknor also displayed a strong tenor voice. The biggest voice in the cast, however, belonged to Herbert Gibson, who played Daniel Webster with a wonderful mock dignity. In smaller parts, John Morabito gave an amusing portrayal of the love-sick but proper John Adams, while Sylvia Skolnick enlivened the role of a militant feminist, Jenny Reefer. The cause of suffrage received lusty support from Judy Moore as Lillian Russell...

Author: By Stephen Addiss and Thomas K. Schwabacher, S | Title: The Mother of Us All | 3/10/1956 | See Source »

...Mother of Us All is likened by its creators to a pageant of the passing 19th century. Across the stage in its course pass Daniel Webster, Andrew Johnson, Thaddeus Stevens, Anthony Comstock, Lillian Russell and Ulysses S. Grant. "The costumes," the authors specify, "should sharply exemplify regions, decades, and social circumstances. The variety of these against a more generalized historical background should offer a spectacle no more anachronistic than that suggested to the mind by the perusal of a volume of old photographs...

Author: By Gavin Scott, | Title: The Mother O.U.A. | 2/24/1956 | See Source »

...Preamble" by Manhattan Composer Bernard Wagenaar, then settled down to serious business: Composer Roger Sessions' Concerto for Pianoforte and Orchestra. It was the second Sessions premiere in four weeks (TIME, Jan. 30), with a symphony and a Mass still to come this spring. Played brilliantly by Pianist Beveridge Webster, the score, to tradition-attuned listeners, was like being sprayed with salvos of molten metal and broken glass. But the salvos were always tightly under control, and the fragments landed in a precise, intricate pattern. The concerto moved in a strong, surging series of climaxes, without concession to showiness...

Author: /time Magazine | Title: Music: The Moderns on Parade | 2/20/1956 | See Source »

Reading Harriman's 1956 budget message, Republican Heck suddenly leaped to his feet and cried: "Haruspex!" Some of his associates thought of answering "Gesundheit," but others quietly went to the dictionary. Heck soon had Albany reporters flipping through Webster's, after he and Senate Majority Leader Walter Mahoney issued a statement that said, in part: "If, as Governor Harriman seems to infer, Republican clairvoyance was required last year to determine that he did not need the $127 million tax increase which he demanded, our forecast has proven far more accurate than the divinations of the Democrat haruspex, which...

Author: /time Magazine | Title: National Affairs: Haruspicy in Albany | 2/13/1956 | See Source »

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