Word: wedded
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Dates: during 2000-2009
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...They wed in 1992, the same year they opened their first boutique, in Los Angeles. "After I got engaged, I changed my mind about fashion," says Lubov, 38, now creative director for BCBG Max Azria, Max Azria and Max Azria Atelier, "as long as Max understood my needs as a designer." It's not surprising to hear Azria call Lubov his muse, whereas she speaks with a bit more nuance. "Max creates the vision, and I make sure it's executed," she says. "We're a great team as long as his office is on the other...
...When everyone else in the country who wants to wed is legally able B) As soon as they find a media outlet willing to pay off all world debt in exchange for wedding photos C) Right after production wraps on Ocean's 45 D) When they can make it through one World Refugee Day family dinner without fighting...
...Hamilton, Ala. He attended high school there but dropped out in 1983, in the fall of his senior year. Not long after, he met and married 13-year-old Quientana Shotts. Their union was annulled in 1985 after Shotts filed a complaint alleging that Karr had forced her to wed him through "intimidation and fear." Four years later, he married again. This time his bride, Lara Knutson, was 16. By 1996, Karr was a student at Bevill State Community College in Hamilton, Ala., and was working in Marion County as a substitute teacher. But in November of that year...
...child, the magician had met and fallen in love with a young duchess and schemed to elope with her. In maturity, this beauty has become Princess Sophie (Jessica Biel), who is likely to be wed to Crown Prince Leopold (Rufus Sewell), a potentate as brutal as he is handsome--and he is very handsome. If Eisenheim and Sophie are to resume their tryst, they must elude both Leopold and his wily Chief Inspector Uhl (Paul Giamatti). All are ready to play roles in Eisenheim's game: to be his accomplice, his stooge, his unmasker, his ruin...
...Higgins' twist was to wed the docudrama to the crime romance (film noir, as the French later called it). For the docu part of the story, an authoritative off-screen voice would set up parallel narrative tracks: a criminal's m.o. and the dogged work of government sleuths to catch him. Audiences were assured that not only could this felony happen, it did happen, for it was "based on case histories in the files of" some federal agency. But that was just half of it. The veneer of authenticity allowed Higgins and Mann to display more rotten behavior, more thugs...