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Word: weepingly (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Haydn was more than a musical wag. Sharing the spirit of the Sturm und Drang poets of the time (among them Schiller and Lessing), he made his instruments weep and rant as well. The supple, rhapsodic lyricism of the slow movement of Symphony No. 44 is far removed from the aloof, balanced expressiveness sought by most composers of his time; the demonic orchestral outbursts and sudden silences in the first movement of No. 80 point ahead to the struggle-locked manner of the later Beethoven. To initiate the finale of the Sinfonia Concertante, four solo instruments conduct a nonverbal argument...

Author: /time Magazine | Title: Music: COMPOSERS: Rebel in Uniform | 12/1/1967 | See Source »

...Little Foxes is a play about money. Tough characters fight for it, weep about not having enough of it, dream about waterfalls of golden nickels. They exploit anyone with less than a Midas mind...

Author: By Joel Demott, | Title: The Little Foxes | 11/16/1967 | See Source »

...other hand, she is widely lauded as a "totally original actress" and "complete professional." Most actors need ammonia capsules to weep even once; Sandy must hold the Olympic record for instantly crying on cue-ten times in one hour during the shooting of Virginia Woolf. Mark Rydell, director of her recently completed film, The Fox, calls her an "emotionally fluid actress" capable of doing anything...

Author: /time Magazine | Title: Actresses: Talent Without Tinsel | 9/1/1967 | See Source »

...like Swanee. A standing ovation for Old Man River. She sits down, her legs dangling over the edge of the stage for The Man That Got Away. "No more that oldtime thrill," she trills with her terrible intensity, "for I've been through the mill. . ." Many in the audience weep. Some grope down the center aisle to the stage. She leans over and kisses a proffered hand...

Author: /time Magazine | Title: Singers: Seance at the Palace | 8/18/1967 | See Source »

...Testament are considerably more vivid in their portrayal of the hereafter. In Revelation, heaven is described as a city of "pure gold" whose walls are "adorned with every jewel," and hell is called "the lake that burns with fire and brimstone"; in hell, according to Matthew, sinners "will weep and gnash their teeth." Though scholars regard such descriptions as being primarily imagery, Christianity at one time accepted them as literally true. In the Middle Ages, Dante confidently limned a topography of the beyond that seemed as convincingly detailed as a map of Italy...

Author: /time Magazine | Title: Eschatology: New Views of Heaven & Hell | 5/19/1967 | See Source »

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