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Word: weepingly (lookup in dictionary) (lookup stats)
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...Only because I wept so for John Kennedy, I have not enough tears to weep for Bobby Kennedy, for Martin Luther King, for the young men in Viet Nam, for the poor, for President Johnson and those others who today bear such heavy burdens and who, while still living, suffer character assassination. Or to weep for those of us who mistake anarchy for dissent and free speech or violence for justice...

Author: /time Magazine | Title: Letters: Jun. 21, 1968 | 6/21/1968 | See Source »

...Been Gone rambles like a milk train over the same run that Baldwin covered in Another Country, creaks over the same hard ground, sounds the same blast about the Negro's condition, rattles the same rationale for homosexuality: "My terrible need to lie down, to breathe deep, to weep long and loud, to be held in human arms, almost any human arms, to hide my face in any human breast, to tell it all, to let it out, to be brought into the world, and, out of human affection, to be born again...

Author: /time Magazine | Title: Books: Milk Run | 6/7/1968 | See Source »

...stare in return. Such soulful spirituals as My Heavenly Father, Watch Over Me and If I Can Help Somebody were rendered so poignantly by Contralto Mary Gurley and Mrs. Jimmie Thomas, a soprano, of the Ebenezer Church Choir that Singer Mahalia Jackson, the misty mistress of mourning, began to weep silently...

Author: /time Magazine | Title: Nation: King's Last March | 4/19/1968 | See Source »

...were in imminent danger of extinction. ("It is time for a major blues crusade! Is it right that a great artiste should have to die for his music to be acknowledged?") The English have long proved that they can master American idioms, and Mayall is no exception. He can weep, holler and groan with the best, and though he pleads that his fan mail be sent to Godalming, Surrey, most listeners will wonder if it shouldn't go to Biloxi...

Author: /time Magazine | Title: Television: Mar. 8, 1968 | 3/8/1968 | See Source »

...agitated. Out of the turbulance emerges a small figure, black-haired and mustachioed. He turns three somersaults in plain view of the two authors. We discover he is Brecht's Arturo Ui. "In America," he says, "they think Three Penny Opera is a musical comedy." Brecht begins to weep. Ibsen hugs himself, pulls his knees up to his chest and falls off the chair, laughing...

Author: By Charles F. Sabel, | Title: The Master Builder | 3/1/1968 | See Source »

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