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...Viet Cong disappeared into the bushes or the earth, for they often lie hidden during the day in camouflaged holes tunneled into the sandy soil. A dead Civil Guard was carried back to camp. The men of his unit shook their heads despondently; one of them began to weep. "Happens every night," said U.S. Sergeant Antonio Duarte. "Sometimes we have two or three skirmishes going on at the same time...

Author: /time Magazine | Title: World: NIGHT WAR IN THE JUNGLE | 9/29/1961 | See Source »

...girls swept off to slavery. As the Turkish Historian Sead-dedin wrote of the capture of Constantinople by Mohammed in 1453: "Having received permission to loot, the soldiers thronged into the city with joyous hearts, and there, seizing the possessors and their families, they made the wretched unbelievers weep. They acted in accordance with the precept, 'slaughter their aged and capture their youth...

Author: /time Magazine | Title: Art: From Levy & Loot | 6/23/1961 | See Source »

...food and the British press. He knows also that Judy has sung Over the Rainbow over and over since she was 17, and that she will sing it again, sure as there is ooze in Oz. Worst of all, there will be the Garland believers who clap wildly and weep like new widows at anything Judy does onstage...

Author: /time Magazine | Title: Headliners: Over & Over the Rainbow | 5/5/1961 | See Source »

...section of his speech "In praise of Self-Pity." "We don't lament in English," he said, and the phrase "O woe is me" is eliminated from translations of Greek dramas. 'But if we have dismissed self-pity from daily life, it remains in our night life. We still weep in our dreams...

Author: By John A. Rice, | Title: Bentley Discusses Appeal of Melodrama | 3/3/1961 | See Source »

...that appeals almost as much to the mind as to the heart. Writing for three years, under the shadow of death,* the composer was determined to move away from what he had come to regard as his earlier "slight" music. "Create for me something that will make the world weep," he instructed his librettists. In their adaptation of Carlo Gozzi's 18th century play, as in the Puccini score, there are more hints of harshness and modernity than in any of his other works-shrieking harmonies; a howling, fickle mob; even political irony, as when the three comic...

Author: /time Magazine | Title: Music: Golden Age | 3/3/1961 | See Source »

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