Word: weft
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...takes a weaver a month to fill in one square yard of tapestry. First a set of colorless threads called the warp is strung on the loom to serve as the foundation for weaving. The other set of threads, the colored weft, is all that is visible in the finished tapestry. The weft passes over and under the warp; each time a different colored area is indicated in the cartoon, a bobbin holding a different colored thread must be used, and the ends of the different colored threads must be tied to hold the tapestry together. A tapestry is made...
...their crude, rough-woven finish of thick wool sometimes interlaced with straw. Also highly praised was the Japanese technique of Tsuzure-Nishiki demonstrated by Hirozo Murata's silk and gold Hunting, a scene of horsemen with bows and arrows. In Tsuzure-Nishiki tradition, Japanese weavers compress the weft as it is woven into tapestry, using their fingernails cut like saw teeth...
...modern wall. Purists argue that translation from painted sketch to woven wool muffles the impact of the artist's intent. Certainly, tapestry has rarely been a medium for great art. But for works short of the greatest, tapestries have a disarming informality, and a richness of warp and weft that compensates for the loss of the immediacy that only the artist's brush can give...
...weft which bound their interests together was the Plata network (see map) of rivers flowing across an area nearly half the size of continental U. S. The Plata itself is a muddy, shallow estuary funneling down from a 25-mile-wide neck above Buenos Aires to a 138-mile-wide mouth in the Atlantic. Into it flow the Uruguay and the Paraná-Paraguay rivers. The Uruguay cuts south from Brazil for 1,000 miles, separating the northern tongue of Argentina from Uruguay and Brazil. To the west is the 2,200-mile Paraná. Starting in the highlands...
...loom in which Joseph Marie Jacquard made practical the ideas of several 18th Century inventors was declared public property in France in 1806, and Jacquard was rewarded with royalties, a pension, a statue. In making fabrics with woven-in designs, it is required that every time a thread of weft is passed across the warp, certain needles be lifted from the row, corresponding to the cross-section of the design at that point. Jacquard solved this with a series of perforated cards permitting some needles to pass through the holes and stopping others. Jacquard cards are now made from...