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Word: weight (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
Sort By: most recent first (reverse)


Usage:

...better coordinated set of backs should improve Saturday's game. It is hoped veteran player Ray Vickers, speedy Gage McAfee, and tough Eric Bradley will pass more often. The scrum still lacks weight but better timing should make it more effective...

Author: By Susan M. Rogers, | Title: Ruggers Confront Villanova Today | 10/12/1963 | See Source »

...while she fights it. She is, after all, the mother of three children in school, and she knows she is no beauty -greying, a little ungainly and inclined to weight. What does Rob, who is said to have a different woman with every picture, see in Fanny? "My work is exciting," explains Rob. "I need rest." Somehow that jells it. Fanny gets her divorce and decamps with Rob for a hideaway on the Italian lakes-the Villa Fiorita...

Author: /time Magazine | Title: Books: A Rose Named Fanny | 10/11/1963 | See Source »

...History Department has accorded more weight to its sophomore tutorial this year, Giles Constable '50, head tutor in history said yesterday. The department will not, however, award a half-course credit for the tutorial...

Author: By David M. Gordon, | Title: History Dept. Initiates New Tutorial Plan | 9/28/1963 | See Source »

...department rejected the plan, however, because they hesitated to destroy the "freer relationship" of a non-credit course, Constable said. Before going to the "extreme" of awarding credit, the department will experiment with the present relationship, where the tutorial has more weight in the department but "will retain its freedom as far as University Hall is concerned...

Author: By David M. Gordon, | Title: History Dept. Initiates New Tutorial Plan | 9/28/1963 | See Source »

Lebrun's emphasis on weight and power makes the almost classical grace of his women on the right of "Two Figures Happening" all the more remarkable. The figure on the left displays typically massive thighs and a heavy torso inclined forward. The right-hand figure is powerful but much lighter. She twists toward her companion and her left arm, bent at the elbow, is thrown across her face. There is grace but not freedom. Both figures really seem to be "happening," to be struggling free of the surrounding darkness. Even in a classical motif Lebrun preserves the heaving...

Author: By Daniel J. Chasan, | Title: Drawings by Rico Lebrun | 9/27/1963 | See Source »

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