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Part of the way countries stack up results from how the WEF weights a nation's scores according to its stage of development. A fundamentals-driven economy like Egypt or Bolivia is judged more on basic requirements such as the reliability of police services and electricity supply; an efficiency-driven economy like Brazil or Latvia is gauged more by measures such as Internet access in schools and strength of investor protection; and an innovation-driven economy like France or South Korea sees more weight put on more sophisticated issues such as company R&D spending and marketing...

Author: /time Magazine | Title: Best Countries for Global Business | 11/15/2007 | See Source »

...they are valued. At Happy Valley tea estate, perched at 6,800 ft. (2,100 m) where the Himalayas snake into India between Nepal and Bhutan, workers harvest the autumn flush, plucking each tip of dwi paat suiro--two leaves and a bud--as if it were worth its weight in gold. As the sun sets on the looming Mount Kanchenjunga and a lazy mist begins to settle, pickers carefully empty their bamboo baskets and take in their loads to be weighed. One man swiftly but keenly examines the leaves before each worker signs in her day's pickings...

Author: /time Magazine | Title: India Brews a Stronger Cup | 11/15/2007 | See Source »

...union of constrained size with irreducible strength.” While it is true that Schulz wanted his characters to be intelligent beyond their apparent years and endowed them with curiosities and fears that gave them philosophical profundity, the analogy seems contrived and ridiculous, and gives too much weight to Schulz’s acquaintance with this woman at the expense belittling his unique artistic innovation. The biography is at its best when focusing on a different side to Schulz’s comics, one that moves beyond the series of lovable Christmas specials and its simple philosophy that...

Author: By Jenny J. Lee, CONTRIBUTING WRITER | Title: An Uneven Tale of Two Charlies | 11/15/2007 | See Source »

...Untitled” is one of Felix González-Torres’s beloved “candy pours.” The toffees composing the piece shine like an expansive sea, shaped into a rectangle bounded by nothing but the grey floor. The weight of the candy is predetermined, but the curator is allowed to determine the dimensions of the pour. I’m tempted to throw myself into it like a newly coronated prince into his gold coins, or at least to grab a greedy handful like Augustus Gloop in “Charlie...

Author: By Elsa S. Kim, CRIMSON STAFF WRITER | Title: Candy-Coated Art Delights And Provokes | 11/15/2007 | See Source »

...you’re the spider, by the way—best embodies the album’s alienated tone. As the band disinterestedly shifts from lazy funk to Radiohead’s electronic quaver, Morrison’s bored vocals are an emotional dead weight: “How can a body move the speed of light / And still find itself in such a rut?” On “Gyroscope,” the band jerks along through the first verse, negotiating frequent time changes. Jason Caddell’s guitar and Joe Easley?...

Author: By Richard S. Beck, CRIMSON STAFF WRITER | Title: FOR THE RECORD: The Dismemberment Plan | 11/15/2007 | See Source »

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