Word: weil
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Dates: during 1960-1969
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Jane Speiser's illustrations are, particularly when right-side-up, singularly appropriate to the work at hand. The modest, unattributed set serves Peter Weil's original conception nicely...
...like Andrew T. Weil '64, former editor of the Harvard Review, who will teach "Exposition and Scientific Methods" this spring, remain convinced that "almost all Harvard undergraduate writing is bad" and will continue to emphasize basic stylistic virtues. More often, though, the middle group courses start by assuming technical competence...
Teresa of Avila, the 16th century saint, had poetic visions of "pure water running over crystal, the sun reflecting it and striking through it." Simone Weil, the lonely Jewish girl who turned into a Christian mystic, tells how the recitation of lines by George Herbert, such as, "Love bade me welcome; yet my soul drew back," acted on her intuitive unconscious like prayer. "Then it hap pened," she recalled. "Christ himself came down, and he took...
Joan Tolentino gives Marie a depth-of-character the part needs. She sings, too. In the character roles, Andrew Weil and Dean Gitter are wonderful as the captain and the doctor respectively. Weil doubles as a circus barker and recites a double-talk speech about a performing horse, with all the necessary self-consciousness. Gitter makes the play's ending every bit as ghastly as it should...
...Peter Weil as the Drum Major and Carl Nagin as Woyzeck's friend Andres work in their parts more out of physical presence than anything else. Mayer has, on occasion, underdirected his actors: Nagin seems to be playing more to himself than to Babe, and James Shuman's monologue sounds more like an exercise in dialogue modulation than the barroom philosophy it should...