Word: weil
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Dates: during 2000-2009
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...Andrew Weil's recommendations for maximizing physical and emotional health and happiness as we grow older were welcomed by readers. While some applauded his advice for aging gracefully, others had their own suggestions about diet, exercise, medical aids and the need for effortful mental activity...
...excerpt from Dr. Andrew Weil's�book Healthy Aging was well presented [Oct. 17]. Weil gave a balanced view of nutritional advice on aging, and I was glad to see someone point out the dubious nature of the antiaging business. Most of what we spend on vitamin supplements and health food represents unreasonable expectations of our ability to control aging. Such purchases only distract from what is truly important: taking the steps necessary to delay age-related disease. I will read Weil's entire book and recommend this article to my patients. JOHN KAUFMANN, M.D. Boca Raton...
...Weil's statement that "there are at�present no effective antiaging medicines" shows that he has his head in the sand. Western medicine (through technology) has found a way to extend our lives well beyond what was once considered a normal life-span, but it has not addressed the quality-of-life issue. Bioidentical hormone-replacement therapies, which use hormones manufactured to have the same molecular structure as those made by our bodies, enable us to maintain quality of life by replacing the hormones we lose as we age. The goal is to keep our insides young. A youthful interior...
Other than her mother, Carson elegizes three historical women in the titular essay of the volume, “Decreation: How Women Like Sappho, Marguerite Porete and Simone Weil Tell God.” The intense intellectual consideration of these women and their conceptions of decreation (what Weil articulates as the necessity “to undo the creature in us” and what the other women demonstrate is the expulsion of self in order to accommodate a deity) leads to a mediation on their merits and martyrdom in an opera of the same title, “Decreation...
...Polonaise in A, opus 40, nicknamed the “Military.” Gregory M. McWilliams ’09 certainly portrayed the military aspect, but his bombastic approach sometimes neglected the piece’s subtleties. Both Amy T. Wu ’09 and Darius W. Weil ’09 made their HPS debuts playing compositions by Maurice Ravel. Wu’s light touch and Weil’s technical facility brought out the fanciful Frenchness of Ravel’s music. At the end of the evening, the audience did not leap...