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Word: weill (lookup in dictionary) (lookup stats)
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Grosz, the sardonic sadomasochism of Bertolt Brecht, the tinkling melancholic musical style of Kurt Weill, and the plumpish, thigh-bared, black-gartered allure of Marlene Dietrich in The Blue Angel. Add a living link to the period in Weill's widow, Actress Lotte Lenya, with her cynical eyes and big-city-scarred voice. Set this musical by committee in a chic-sleazy nightspot called the Kit Kat Klub, supply a rouged M.C. played with androgynous guile by Joel Grey, bring on hip-roiling, braless chorines with soft-boiled smiles and any kind of love for sale, orchestrate...

Author: /time Magazine | Title: Theater: Kit Kat Kutups | 12/2/1966 | See Source »

Lotte Lenya. The name conjures up visions of the Berlin Theatre Ensemble, of the plays of Bertolt Brecht and the music of Kurt Weill...

Author: By James Lardner, | Title: Cabaret | 10/27/1966 | See Source »

...menacing timpani of wooden spoons. Eerie moans and whimpers fill the air like the cries of lost souls, recorded in limbo. A clownishly decked-out Greek chorus of whores and fools breaks into gritty tunes and cynical ditties on the age's corruption that evoke Brecht and Weill...

Author: /time Magazine | Title: Theater: Blood Bath | 1/7/1966 | See Source »

...performance of a new Liturgy of the Holy Spirit, with words by Poet William Robert Miller. Based vaguely on a Christian service described by the 2nd century theologian Hippolytus, the eclectic 14-part liturgy included jazz anthems in fairly conventional "cool" style, ballad-like congregational hymns reminiscent of Kurt Weill, choral passages as modal as a 14th century Mass. Florida-born Ed Summerlin began writing jazz for use in churches six years ago, when he poured out his grief at the loss of his nine-month-old daughter in a Requiem for Mary Jo, a jazz setting of the Methodist...

Author: /time Magazine | Title: Liturgy: Cool Creeds | 7/9/1965 | See Source »

Timothy S. Mayer '66, director of the Brecht-Weill musical, said yesterday that the show, which had a full house for each of its original seven performances, still had an audience in those people turned away last week. "We'd like to help the Courier," he added...

Author: NO WRITER ATTRIBUTED | Title: 'Threepenny' Benefits Aid Southern 'Courier' | 5/6/1965 | See Source »

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