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...Piccola Scala (La Scala's intimate, 700-seat annex, specializing in rarely done or light operas). Elsewhere, she has shown her great versatility by singing everything from Mozart's Requiem (under Bruno Walter), to a TV performance of The Merry Widow, to Polly Peachum in Weill's Threepenny Opera. Soprano Sciutti is married to a former operatic bass from Seattle named Bob Wahoski, who long ago abandoned music to form his own European Travel Service, which ferries U.S. tourists through Europe in Cadillacs. If the tours sometimes seem eccentric, there is a reason: they often follow...

Author: /time Magazine | Title: Music: Piccolo Collos | 1/27/1961 | See Source »

...stop the film from being released. He lost the suit, was paid handsomely for the film rights, and divorced himself from the production (after being assured that most of his plot revisions would be used and that all film rights would revert to him after two years). Kurt Weill won his half of the suit, and was allowed to rewrite his score for the movie, in spite of which fact about half of his songs are missing. (The conflict was ultimately settled by the Nazis, who destroyed every print they could get their hands on; and until the recent discovery...

Author: By Allan Katz, | Title: The Threepenny Opera | 12/7/1960 | See Source »

...Europe. It is unquestionably an antique, with scratchy sound, uncertain lighting and a mannered kind of acting carried over from the silent films.. But it is not the sort of antique that must be watched with embarrassment. Lotte Lenya, as Jennie, is gawkily charming, and such Kurt Weill-Bert Brecht songs as Mack the Knife and Pirate Jenny retain their peculiar combination of sentiment and cynicism, even when filtered through English subtitles. Viewers who have seen the English stage version that has played for several years in Manhattan's Greenwich Village will notice differences; the film, for some...

Author: /time Magazine | Title: Cinema: Imports, Jul. 25, 1960 | 7/25/1960 | See Source »

...instrumentalists, 72 singers, ten operatic and orchestral groups, and 161 musical terms. From this generous supply every player must, of course, select his own repertory of names. A good random beginner's list might include Hector Berlioz ("EC-tor BEAR-li-oss"), Emil Waldteufel ("VAAL-toy-ful"), Kurt Weill's Die Dreigrosch-enoper ("Dee Dry-GROSH-en-oper"), Puccini's Gianni Schicchi ("Johnny SKEE-ky"), Prokofiev's ballet, Chout ("Shoo!"), Conductor Eugen Jochum ("OY-gen YOK-hum"), Pianist Jorge Bo-let ("HOAR-hay Bo-LETT"). Advanced players will discover certain unaccountable omissions: where are Monteverdi's Il Combattimento di Tancredi...

Author: /time Magazine | Title: Music: Ah-ca-PELL-cT | 5/2/1960 | See Source »

Rosemary (German). The life and death of a high-priced prostitute add up to a biting, highly amusing commentary on West Germany's Wirtschaftswunder (economic miracle), effectively using masses of black Mercedes as a kind of silent chorus and some highly worth-Weill songs to underscore the satire...

Author: /time Magazine | Title: CINEMA,TELEVISION,THEATER,BOOKS: Time Listings, Mar. 21, 1960 | 3/21/1960 | See Source »

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