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Word: weills (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Knickerbocker Holiday (book and lyrics by Maxwell Anderson: music by Kurt Weill; produced by the Playwrights' Co.) represents an ill-balanced musicomedy collaboration, suggests the most fleet- footed girl at a prom dancing with a corpulent middle-aged professor who has hopefully taken a few lessons from Arthur Murray. To the story of Xieuw Amsterdam in the days of peg-legged Pieter Stuyvesant. the famed author of Mary of Scotland and Winter set has contributed a thick Dutch cheese of a book, while Composer Weill (Johnny Johnson) has filled Knickerbocker Holiday with gay, spirited, catchy tunes...

Author: /time Magazine | Title: Theatre: New Musicals in Manhattan: Oct. 31, 1938 | 10/31/1938 | See Source »

Last evening the Playwrights' Company presented a new musical comedy entitled "Knickerbocker Holiday" with book and lyrics by Maxwell Anderson, music by Kurt Weill, and the production by Joshua Logan; viewed in toto, the show will not be one of great appeal to collegiate theatregoers...

Author: By V. F. Jr., | Title: The Playgoer | 9/28/1938 | See Source »

...Weill's twenty-two numbers are of the operetta type, hardly exciting with the exception of "How Can You Tell an American" and "The Scars", and are excellently rendered by the chorus; the principals, however, are less successful. Mr. Logan's work is good, but Mr. Mielziner's sets are a disappointment. Decidedly the show's happiest interludes come by virtue of the seven burghers of New Amsterdam...

Author: By V. F. Jr., | Title: The Playgoer | 9/28/1938 | See Source »

...Paramount). Underworld melodrama, based on a story by Norman Krasna, directed by Fritz Lang, scored by Kurt Weill, acted by Sylvia Sidney and George Raft which, setting out to prove that Crime Does Not Pay, proves instead that the brightest names in Hollywood sometimes make its dullest pictures...

Author: /time Magazine | Title: Cinema: Also Showing | 6/13/1938 | See Source »

...Hung in the Wildenstein Galleries was the best private collection of iSth-Century French art in the world. The lifelong accumulation of San Francisco-born David David-Weill, president of the Council of the National Museums of France, senior partner of the international banking house of Lazard Freres & Cie , this anthology of fragilities changed hands last March. The reported price of $5,000,000 paid by happy Dealer Georges Wildenstein established him firmly as the French Duveen...

Author: /time Magazine | Title: Art: Art Week | 11/15/1937 | See Source »

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