Word: weiss
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...newly elected members are Cho, David S. Freeman and Joyce C. Keck from Adams House, Ashley S. Evans, Andrew L. Lynn, Benjamin L. McKean and Sue K. Paik from Cabot House, Lauren E. Baer and Sarah E. Little from Dunster House, Adam C. Weiss from Eliot House, Doyle and Heather E. Boesch from Kirkland House, Dorothy A. Fortenberry, Jonathan A. Kelner and Esteban A. Real from Leverett House, Paven Malhotra from Lowell House, Emily Buck from Mather House, Michael Gerber, Jonathan M. Gribetz, Naamit M. Kurshan and Travis J. Schedler from Pforzheimer House, Stephen E. Sachs from Quincy House...
...Jesse went to work out the day after Nationals," Weiss said. "He just loves to train and loves to wrestle. His work ethic has been a tremendous asset to this team...
...just completely amazed all weekend," said Harvard Coach Jay Weiss. "It is unheard of for a freshman to finish third at this tournament. He went to the event to get matches, but it soon went well beyond just getting experience. He became a factor, proving himself to be among the best...
...just opened on Broadway (for the first time, believe it or not), and it's one of a rash of Holocaust-related dramas filling stages in New York City and around the country. The Center Stage in Baltimore recently completed the first major U.S. revival of "The Investigation," Peter Weiss's 1965 play drawn entirely from transcripts of the Frankfurt trials of those who helped run the Auschwitz death camp. Arje Shaw's "The Gathering," about the conflict between a Holocaust survivor (Hal Linden) and his son, will arrive on Broadway in April. And off-Broadway's Classic Stage Company...
...surprising is how fresh some of the old Holocaust dramas are looking. "The Investigation" - a major, too long neglected work given a piercing revival in Baltimore - also seems, on its face, unpromising as drama, since it is essentially a collage of trial testimony. Yet, as artfully pieced together by Weiss, the author of "Marat/Sade," the play locates fresh power in the sheer deadpan accumulation of detail of the awful crimes; in the stubbornly repetitive, I-knew-nothing defenses; and in the resonant stage device (in the Baltimore production, at least) of having the same actors play multiple roles -victims...