Word: weissenberg
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Dates: during 1960-1969
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...they watched Pianist Alexis Weissenberg play Chopin with the New York Philharmonic, the audience at Manhattan's Lincoln Center last week could eas ily have felt a twinge of memory. Weissenberg bore a strong resemblance to a younger pianist named Sigi Weissenberg, who had made his U.S. debut playing Chopin with the New York Philharmonic 20 years earlier. Alexis even had some of Sigi's pianistic traits-triphammer virtuosity, brilliant tone, a briskly commanding approach to a score-but they were tempered with subtler shading and a surer sense of structure...
Free and Faithful. Alexis Sigismund Weissenberg realizes now that his problem was not the critics who switched from cooing to carping. Nor was it the managers who booked him into that deadly round of whistle-stop tours called Community Concerts. His problem was the quandary of every young performer: "He must perform early for an audience to develop his personality. On the other hand, the inner gifts need development privately. If these are developed in front of the public, many things are exaggerated, experimental, uncertain...
...ALEXIS WEISSENBERG: RACHMANINOFF PI ANO CONCERTO NO. 3 IN D MINOR (RCA Victor); CHOPIN PIANO CONCERTO NO. 1 IN E MINOR, PIANO CONCERTO NO. 2 IN F MINOR, and SMALLER WORKS FOR PIANO AND ORCHESTRA (Angel, 3 LPs). After returning to the U.S. last year from a decade-long self-imposed exile, Weissenberg, now 39, changed his first name from Sigi to Alexis. He obviously had some new musical ideas on his mind too. In the Rachmaninoff, the Bulgarian-born pianist displays a Horowitz-like technique, a poet's heart and vast reserves of power; he throws up wave...
...through Sept. 15) is made up of orchestral and chamber concerts, a short visit by the New York City Ballet, Daniel Barenboim's English Chamber Orchestra, a jazz-folk program and a wide selection of guest artists, including Pianists Alicia de Larrocha, Vladimir Ashkenazy, Leon Fleisher, Alexis Weissenberg and others of that caliber...