Word: welitch
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Sensual & Sinister. Last week, Baritone Schoeffler capped his first season at the Met with a crack performance of the sensual and sinister Scarpia in Puccini's Tosca. When he was onstage with his longtime Vienna State Opera friend, red-haired Soprano Ljuba Welitch (as Tosca), the audience saw and heard the kind of sure, smooth action and singing that make Vienna's ensemble just about tops in the operatic world...
Onstage, red-haired Bulgarian Soprano Ljuba (Salome) Welitch was singing her first Tosca at the Metropolitan, and it was as exciting and free-swinging a performance of Tosca as a Met audience had ever seen. Backstage, there was more excitement still. Whispered one anxious artist in a thick Italian accent: "Do you know the words to this For He's a Jolly Good Fellow?" Replied another: "I don't even know the melody." Nevertheless, when the curtain went down on Tosca, then up again on a gala pageant of recent Met history, every singer present seemed to roar...
Metropolitan Opera (Sat. 2 p.m., ABC). Aida, with Ljuba Welitch, Ramon Vinay and Robert Merrill...
...shut throughout the performance. John's severed head was a tame affair that looked more like a haggis: Dali's more horrifying head had been axed at the last minute by the censor. What delirium the audience felt was set off by redheaded Bulgarian Soprano Ljuba Welitch, who made a U.S. hit as Salome at the Metropolitan Opera last season. For eleven curtain calls she got cheers that rattled the railings in the standees' gallery. When short, tuxedoed Director of Productions Brook edged his way onstage, the bravos became boos. When Brook retreated smiling, Soprano Welitch came...