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Word: well-chosen (lookup in dictionary) (lookup stats)
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Salter's language is simple and well-chosen, allowing these ideas to come through clearly. The rhyme is usually nicely understated; once or twice it becomes too contrived and in combination with the outwardly simple subject matter makes the poetry a little too cute and obvious...

Author: By Lauren M. Hult, CONTRIBUTING WRITER | Title: Hello? It's Elemenary, My Dear | 4/30/1999 | See Source »

...Salter's language is simple and well-chosen, allowing these ideas to come through clearly. The rhyme is usually nicely understated; once or twice it becomes too contrived and in combination with the outwardly simple subject matter makes the poetry a little too cute and obvious...

Author: By Lauren M. Hult, CONTRIBUTING WRITER | Title: Hello? It's Elementary, My Dear | 4/30/1999 | See Source »

...well as the cheerily optimistic and slightly dopey gondolier Marco, his fairly hearty (but once again too quiet) singing matched with an eye for physical comedy. Krishnan Unnikrishnan '02 is equally endearing and doltish as Giuseppe, fellow gondolier and possible heir-to-the-throne. Unnikrishnan hams it up remarkably well with lots of giggly smirks and "Aw, shucks" glances, but at times this silliness comes out as slightly effeminate camp--manly gondolieri do not typically bat their eyelashes when they're being serenaded by a lovely contadine. The two lead "lovely contadine" in this production are both well-chosen...

Author: By Ankur N. Ghosh, CONTRIBUTING WRITER | Title: Pump Up the G. and S. Volume | 12/11/1998 | See Source »

...Celebrity Series artists are generous this year--Ohlsson gave four well-chosen encores, beginning with a sansculottes Revolutionary etude, and continuing with a glib. graceful Mazurka (Op. 30 No. 4), an ostentatiously fast and harrowing C-sharp Etude (Op. 10 No. 4), and a morsel of Scriabine farfallonery, the Etude Op. 49 No. 3. In effect these encores were four excellent piano lessons...

Author: By Matthew A. Carter, CONTRIBUTING WRITER | Title: Great Garrich Ohlsson | 11/20/1998 | See Source »

Irrespective of the "story," the clothes themselves were well-chosen and in sync with the trends being hyped in this Spring's fashion glossies. In an explicit homage to Gianni Versace, the clothes for both men and women were exuberantly colored and provocatively cut. Monoyudis displayed ensembles that alternated between being minimalistic without being stark and decorative without being gaudy, though what was bought and what was designed was unclear. Another quibble: none of the models wore shoes, so even those female models who expertly emulated walking in high heels still looked like they were playing dress-up in Mommy...

Author: By Matt A. Stewart, | Title: the fashion of show | 4/23/1998 | See Source »

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