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...effective approach to life: “Don’t hurt me, and I won’t hurt you.” History, if it does function as Fukuyama posits, would be just as likely to give the citizens of the future the same philosophical outlook as well as the same political organization...

Author: By Gregory A. Dibella | Title: The End of History Redux | 4/6/2010 | See Source »

Among the reasons for choosing Moody for this recognition, Everett explains, was the musician’s innovation and influence in the jazz style of Bebop in the late 1940s, his musicianship with the flute as well as the tenor and alto saxophone, and his love for the music he creates. In addition, Moody is able to make his music accessible, while never abandoning his personal style...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: OFA Honors Moody's Jazz | 4/6/2010 | See Source »

...described this trend of unemployment as “detrimental to people’s well-being and also to regional stability...

Author: By Andrew Z. Lorey, CRIMSON STAFF WRITER | Title: Scholar Discusses Poverty in Arab States | 4/6/2010 | See Source »

...moms. Besides, if “Working” succeeds in its glorifying aims, the fate should not seem like a particularly “shitty” one: the play presents housewifely work as another valuable way to contribute to society. For Harvard students, the point would be well taken...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: Proletariart | 4/6/2010 | See Source »

...pronounced intensity which characterizes much of her new release. “Devil’s Spoke,” for example, opens the album with an impassioned interpretation of religious folk music. Slow, hypnotizing bass lines, deep male background vocals, and thumping drums endow a frantic banjo, as well as Marling’s voice and guitar, with a sheer power new to Marling’s work. And when she issues such commands as “Hold your devil by his spoke / And spin him to the ground,” Marling’s lyrics also...

Author: By Paula I. Ibieta, CONTRIBUTING WRITER | Title: Laura Marling | 4/6/2010 | See Source »

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