Word: welled
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Dates: during 1930-1939
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...vicarage; that is one of the penalties we pay for Establishment. ... If I were allowed to move into a smaller house I should be better off... despite the fact that I should be giving up ?1,000 a year. ... I fear I have a very long furrow to drive." Well did His Lordship of Ely realize that there was little hope that his wish would be granted...
...tabloid Julius Caesar is a hit; so is a marathon Hamlet. A romantic play-Romeo and Juliet-starring Katharine Cornell, does well enough; a largely rhetorical one-King Richard II-starring a then not well-known Maurice Evans, does far better. Hamlet, with John Gielgud, then no name on Broadway, goes over big; with Leslie Howard, a big Broadway name, flops. Tallulah Bankhead cannot last a week in Antony and Cleopatra, Walter Huston cannot last a month in Othello. The simplest answer is almost certainly right: Shakespeare is as popular as his performance...
...cooed a coy Gilda to Lawrence Tibbett's towering Rigoletto, hit super-high Ds and Es with expert marksmanship, held onto them with the tenacity of garlic. When husky Baritone Tibbett vowed to avenge her worse-than-fatal fate, and threw her, pleading, to the ground, well-rounded Soprano Reggiani rolled like a well-aimed bowling ball, ended on her back, half way across the Metropolitan stage...
...Jascha Heifetz asked Composer Walton to write him a violin concerto. Last spring Composer Walton delivered the completed manuscript at Heifetz' Connecticut estate, and last week in Cleveland Violinist Heifetz, with fidgety Artur Rodzinski's streamlined Cleveland Orchestra as background, gave the new concerto its first performance. Well-woven as a Paisley shawl, Composer Walton's opus proved warm as well as intricate. And though Cleveland's dowagers found its texture scratchier than crepe, Cleveland's critics fingered its solid warp & woof with enthusiasm. Said Clevelander Rodzinski, rolling a long cigaret of Polish tobacco after...
...stood on the conductor's platform for the first time in 30 years, earnestly rowed the Philadelphia Orchestra through two of his weightiest works. One was his Third and latest Symphony, the other his 45-minute-long choral symphony The Bells, which needs a 200-man chorus as well as a 100-man orchestra to boom out its melodious refrain. For several days he had given up piano practice to brush up his conducting technique. Said he: "Playing the piano and conducting don't go together. It takes too much time to become good at either...