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Now providing the masses with everything from movies, music and television shows to theme parks and tacky gifts, Universal Studios has indicated a return to its film production roots with the re-release of Orson Welles' Touch of Evil. Perfectly timed to debut at the Silver Anniversary of the Telluride...

Author: By Jen S. Wu, CONTRIBUTING WRITER | Title: Bye Mancini, Hello Mariachi | 10/2/1998 | See Source »

After seeing the original cut only once, Orson Welles wrote a 58-page "memo" to Universal Studios head Edward Muhl detailing the mauling the studio had done to his film. Buried for 40years, the "newly-discovered" memo provided the basis for the restoration effort, now the fourth incarnation of the...

Author: By Jen S. Wu, CONTRIBUTING WRITER | Title: Bye Mancini, Hello Mariachi | 10/2/1998 | See Source »

A bit of a box-office bomb at the time of its release, Touch of Evil has nevertheless been heralded as one of the masterpieces of the noir genre. Charlton Heston plays Ramon Miguel "Mike" Vargas, a Mexican narcotics investigator embroiled in a shady murder investigation just on the other...

Author: By Jen S. Wu, CONTRIBUTING WRITER | Title: Bye Mancini, Hello Mariachi | 10/2/1998 | See Source »

The twisted and twisting plot, already enough to leave you feeling as if you've been accosted by a sewer, becomes even more visceral when viewed through Welles' innovative techniques. In fact, the most noticeable (and necessary) change made in the restored version is the elimination of the credits and...

Author: By Jen S. Wu, CONTRIBUTING WRITER | Title: Bye Mancini, Hello Mariachi | 10/2/1998 | See Source »

"There's no such thing as an absolute version anymore," says Bill Laswell, a musician and record producer who proved the point this summer with his remixed album of classic Miles Davis recordings, probably a jazz first. There is also a new version out of the 1958 film Touch of...

Author: /time Magazine | Title: Classics Updated | 9/21/1998 | See Source »

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