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TOM HANKS is too golly-gosh ever to be mistaken for Orson Welles, but he may nevertheless inherit the mantle. Having got a lock on decent-guy-in-difficult-circumstances roles, Hanks is taking a stab at writing, directing and starring in his own movie. He's wrapping That Thing...

Author: /time Magazine | Title: People, May 27, 1996 | 5/27/1996 | See Source »

Can we be surprised that people believe legal immigration is the cause of all their problems? After all, this is the same crowd of people that merely 58 years ago believed Martians were invading the earth. When Orson Welles dramatized War of the Worlds over the radio, 20 percent of...

Author: By Tanya Dutta, | Title: Alan Simpson and Rocks From Mars | 3/18/1996 | See Source »

Hearst's action against Kane suited Hollywood's Old Guard fine; MGM's Louis B. Mayer offered to buy the picture for $1 million and destroy the negative. Kane was finally released, amid raves and some skepticism from critics, a yawn from the public. At the following year's Oscar...

Author: /time Magazine | Title: PRAISING KANE | 1/29/1996 | See Source »

The anti-Kane forces achieved their goal: the movie flopped. In the long run, of course, Hearst lost. What people know of him today is what they remember from the movie; the definitive biography, by W.A. Swanberg, is titled Citizen Hearst. But Welles lost too. His next film, The Magnificent...

Author: /time Magazine | Title: PRAISING KANE | 1/29/1996 | See Source »

Callow has all that to consider in his second volume: how the seductive boy became the self-destructive man; why Hollywood blackballed a director who loved film so recklessly and, in his first pass at the mechanical muse, conquered her. But Welles left a monument no one can chip away...

Author: /time Magazine | Title: PRAISING KANE | 1/29/1996 | See Source »

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