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The speaker was Herman J. Mankiewicz, ornament and outrage of many a dinner table in Bel Air--and also at Hearst's San Simeon, where he was a favorite of Marion Davies, keeping her giggling as they went outside for a swig. A former New Yorker drama critic and a...

Author: /time Magazine | Title: PRAISING KANE | 1/29/1996 | See Source »

Hearst and Welles--did Mankiewicz know how right, and how wrong, the two men were for each other? Both thrived on sensation: one journalistic, the other theatrical. They brought art and news to the masses, showed it in images an immigrant could understand; some said they lowered standards to become...

Author: /time Magazine | Title: PRAISING KANE | 1/29/1996 | See Source »

Welles, thrilled by Mankiewicz's idea for a Hearst film, was also desperate. His first RKO project--Heart of Darkness, which would be told with a subjective camera and would star Welles as Marlow and Kurtz--was deemed too pricey. Now, with Mank's unbilled help (the deal specified no...

Author: /time Magazine | Title: PRAISING KANE | 1/29/1996 | See Source »

By putting so many facets of his young boss into Kane--the inhuman vigor, the using of others, the sled he loved as a boy--Mank effectively wrote Welles' autobiography for him in screenplay form. There was a lot of the sour old writer too in the dark vitality of...

Author: /time Magazine | Title: PRAISING KANE | 1/29/1996 | See Source »

The main thing for Welles, beyond the games, was the work. He goaded his newcomer cast and ace cinematographer Gregg Toland into playing the script's long scenes with few cuts; the audience, he figured, would be smart enough to find the drama without the nudging of montage. He kept...

Author: /time Magazine | Title: PRAISING KANE | 1/29/1996 | See Source »

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