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He used the fast-changing rhythms of a hoofer to orchestrate a characterization. Like all the best actors, he always made it look easy. Like Spencer Tracy, he seemed a natural force: everything seemed to flow out without calculation. Tracy, however, made chamber music; Cagney was a marching band. It...

Author: /time Magazine | Title: It Was All Big - and It Worked:James Cagney: 1899-1986 | 4/14/1986 | See Source »

New York has Greenwich Village for weird, farout movies and revivals, Cambridge has the Orson Welles, and Harvard has, well, its house film societies. From Mather House to North House, the popcorn flows and the movie shows almost every weekend night.

Author: By Stacie A. Lipp, | Title: House Film Societies: Mini Moguls of Movie Industry | 3/8/1986 | See Source »

At the Orson Welles

Author: By Thomas M. Doyle, | Title: Sorta Sorta | 2/14/1986 | See Source »

Much of the film is shot to allow great depth of field, keeping both the foreground and the background of the picture in focus. This technique--pioneered by Orson Welles in Citizen Kane--is known as "deep focus." The use of deep focus lends a strong sense of realism to...

Author: By Michael R. Mcadoo, | Title: When Father Made A Good Movie | 1/15/1986 | See Source »

* 18, Thursday--"Yale Mary", Jean-Luc Godard's controversial sequel to last year's hit "Hail Mary" opens amid virulent protest at the Orson Welles Theatre. The film, featuring Eli Jodie Foster as an undergraduate English major and part-time mother of God, is condemned by President Bok as "flagrant...

Author: NO WRITER ATTRIBUTED | Title: A Banner Year | 1/6/1986 | See Source »

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