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Ludtke is a recent migrant to the West Coast from New York City, where she reported for TIME on subjects as diverse as babies, heart disease and the forged Hitler diaries. Her involvement with sports has been lifelong. She rowed competitively for Wellesley (as did her grandmother from 1903 to 1907), was a reporter for 4½ years at SPORTS ILLUSTRATED, and while at TIME held down second base for the magazine's Softball team. In Los Angeles, she finds "the ease and proximity of doing sports remarkable. Facilities are so close and the weather almost always so cooperative...

Author: /time Magazine | Title: A Letter From The Publisher: May 21, 1984 | 5/21/1984 | See Source »

...Wellesley, Mass...

Author: /time Magazine | Title: Letters: May 14, 1984 | 5/14/1984 | See Source »

Martin, a native of Washington, D.C. and daughter of a government economist and a school teacher, began her career with The Washington Post after her junior year at Wellesley College, from which she received a B.A. in English...

Author: By Margaret Y. Han, | Title: 'Miss Manners' Plugs Etiquette Biz | 5/11/1984 | See Source »

From a strict Roman Catholic upbringing in Hanover, N.H., where she was a studious child ("I could sense that people felt I put a damper on things"), Cunningham emerged with high ideals and fierce ambition. She graduated from Wellesley, married Howard ("Bo") Gray, a black New York City banker, and earned a degree from the Harvard Business School in 1979. After considering more than 30 job offers, she accepted one as the executive assistant to Agee at Bendix, a conglomerate based in Southfield, Mich. Cunningham moved to Michigan while her husband remained in New York. The couple later divorced...

Author: /time Magazine | Title: Crying Foul | 4/30/1984 | See Source »

WHAT WITH controversy over the Pi Eta Speakers Club and the What is to be Done problems with Wellesley. Harvard feminists recently have had a lot to keep themselves busy. Lowell House Drama Society's current staging of Henrik Ibsen's A Doll's House resists the temptation to capitalize on this furor. By shifting the play's emphasis from feminist to humanist, the production loses none of the original interpretation's power while finding a deeper and more universal message...

Author: By Daniel J. Hurwitz, | Title: Open House | 4/27/1984 | See Source »

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