Word: wells
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Dates: during 1960-1969
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...private medical care, the 21-year-old National Health Service is in no danger of extinction. There have been bitter complaints (most recently over increased charges for false teeth and eyeglasses and imposition of a 30? prescription fee), but the British know that the program has served them well. In a recent survey, 95% of those interviewed rated N.H.S. good to excellent. Moreover, nine out of ten people who have private hospitalization plans still use their government-paid general practitioner as a free family doctor...
Hooked on Filene's, she spends at least one hour each day in the basement "poking around." She explains, "It's a challenge to see how well you know your merchandise, your materials, your designers. You have to leave your courtesy at home and get there and mix it up like a longshoreman. But the joy of finding a really good bargain is worth it." One typical joyful day during last week's pre-Christmas crush...
...humanism and the young's denial-may yet fuse. How? The Paris Biennale offers only the most tantalizing hints. This looks like the beginning of the decade of the art group: from the U.S., from France, from Cuba, Canada, Eastern Europe, well over half the work that the young sent to Paris was created by teams. The other new beginning is a cool fascination with man's urban environment as subject-dream cityscapes, 21st century living and working places, architectural fantasies. But these are suggestive glimpses of the art that is forming toward the turn of the millennium...
...correspondent for the New York Times, and later for NBC, Elie Abel has often found himself at the flash points of the world. He covered the Nurnberg trials, the Hungarian Revolution, two presidential campaigns and the Cuban missile crisis of 1962. But last week Abel, 49, received what may well be his toughest assignment: he was appointed dean of the Columbia Graduate School of Journalism, the best in the field, but a school divided...
Written during a hectic three-and-a-half weeks in the summer of 1741, Handel's oratorio has always been a smash. If a nearly endless succession of well-meaning popularizers have taken gross and extravagant liberties with it, Handel is partly to blame. A shrewd businessman, he ensured The Messiah's success by hiring the best and most popular singers in 18th century London to sing it. If the bass singer was not very good, Handel would turn the bass aria into a recitative, rewrite it for an alto or even a soprano. For flexible soprano voices...