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...Cortes. Tyrone Power keeps a medium-tight rein on his passionate Spanish nature; Lee J. Cobb is a boozer who likes disguises; Cesar Romero-a rather thin Stout Cortes-wears a rich black beard. Newcomer Jean Peters plays a pretty, vacuous runaway barmaid who is described, enthusiastically, as "a wench for the New World." Thomas Gomez, in priestly robes, puts forward a few ill-chosen words in favor of the conquest of Mexico (something a few centuries too soon, for a churchman of imperial Spain, about the happy day when all men, even Indians, will be equal...

Author: /time Magazine | Title: The New Pictures, Jan. 5, 1948 | 1/5/1948 | See Source »

...with crinolines and chivalry, tells its story through the decline of an aristocratic family. But Author Williams' Currains are haunted by a unique skeleton in the plantation closet: it seems that Papa Currain, long since dead, "like a young torn turkey on the prowl, lightly dandling a hedge wench named Lucy Hanks in some hidden thicket ... had fathered Abraham Lincoln's mother...

Author: /time Magazine | Title: Books: Crinolines & Corruption | 9/15/1947 | See Source »

...first day, one Spanish, one Portuguese, one Brazilian and seven U.S. boats quit because of broken rudders, sprung masts, bad weather. On the third day, in rough weather, George Fleitz, 32, of Los Angeles, in his Wench II, set a world record for the 10-mile round-the-buoys course. Time: 1:37:33. His Wench II piled up so many points on the record day that Owner Fleitz marched off with the three-foot silver trophy, after a ceremonious ducking in the refuse-filled Almendares River...

Author: /time Magazine | Title: Sport: Record In A Storm | 12/9/1946 | See Source »

Carmen has been filmed at least ten times, but moviegoers have by no means seen the last of the wench. A Manhattan theater is currently showing an Argentine-made version. A U.S. producer is toying with the idea, and Britain's Alexander Korda has announced a forthcoming Carmen with Paulette Goddard in the lead...

Author: /time Magazine | Title: Cinema: The New Pictures, Dec. 2, 1946 | 12/2/1946 | See Source »

...little man in any accent. Eva Le Gallienne, contrasting the prevailing brogue with a gaudy, if inaccurate, French accent, had most of the good lines and used them all for at least five rounds of applause. June Duprez, as the "woman who always knows" is not as plain a wench as Barrie called for, and considerably less crafty. The business of personal appearance seems to impose something of a strain on her, and it might be well for her to return to filmland where she scored admirably in "None But the Lonely Heart" and "And Then There Were None...

Author: NO WRITER ATTRIBUTED | Title: The Playgoer | 10/14/1946 | See Source »

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