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Like John Osborne, Arnold Wesker, Alan Sillitoe and other novelists and dramatists in what was dubbed the "Angry Young Men" group (after Osborne's 1956 play Look Back in Anger), Pinter was not a product of the Oxford-Cambridge factory for leaders in politics, industry and the arts. Being neither born nor bred into the upper class, these writers made class their theme: the resentment and suspicion the unders had for the uppers, which Pinter stripped of overt political references and flipped into the power that one person exercises with cool brutality over another. The TIME description of his script...

Author: /time Magazine | Title: The Pinter of Our Discontent | 12/25/2008 | See Source »

...play called The Kitchen, by Arnold Wesker, again at the Loeb and directed by Peter Frisch. My part was that of a gum-cracking waitress and I chewed wads of Bazooka that I parked on my dressing table mirror when I wasn’t onstage...

Author: By The CLASS Of, SPECIAL TO THE CRIMSON | Title: In Their Own Words | 6/5/2001 | See Source »

...play called The Kitchen, by Arnold Wesker, again at the Loeb and directed by Peter Frisch. My part was that of a gum-cracking waitress and I chewed wads of Bazooka that I parked on my dressing table mirror when I wasn’t onstage...

Author: By Amy J. Handelsman, SPECIAL TO THE CRIMSON | Title: Life Comes Without a Script | 6/5/2001 | See Source »

Encyclopedic is the list of people and objects that have offended the Amis sensibilities: shrinks, the British army, body odor on crowded Prague streetcars, bebop, racist profs at Nashville's Vanderbilt University (where he taught for a semester). Then there are such literati as Arnold Wesker, John Wain, Malcolm Muggeridge and Leo Rosten, author of the H*Y*M*A*N K*A*P*L*A*N stories, whose cardinal sin, apparently, was failing to ply a dinner guest (Amis) with sufficient booze...

Author: /time Magazine | Title: Amo, Amas, Amis | 9/16/1991 | See Source »

...autobiography, Laurence Olivier remarks that bitchiness can be a "journalist's handiest tool." Perhaps Lord Olivier was thinking mostly of Britain, where the gift for malice, and the appetite for it, is higher than here. An English playwright, Arnold Wesker, once wrote The Journalists, a drama about "the poisonous human need to cut better men down to our size . . . The lilliputian journalist be the interviewee's fame, influence or achievement." That too may be more true in Britain...

Author: /time Magazine | Title: Newswatch Thomas Griffith: Cutting Down to Size | 1/17/1983 | See Source »

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