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Word: wesker (lookup in dictionary) (lookup stats)
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...evening rush begins. The German, pressed too hard, grabs a cleaver, runs amok, chops the main gas line. The kitchen, the social order, the whole vast conspiracy of unmeaning that, as Playwright Wesker sees it, prisons and demeans mankind, is interrupted, annulled. The owner stands stupefied. "You stopped my world," he mumbles. "Did you have permission from God? You work...

Author: /time Magazine | Title: Cinema: Pressure Cooker | 11/3/1961 | See Source »

...because the kitchen in question is a ferocious attack on what's left of the profit system in Britain, a shocker in the sense that a steaming tureen of stew is a shocker when flung full in a customer's face. Adapted from a play by Arnold Wesker, a soapbox socialist and onetime pastry cook who at 29 is currently the fashionable prole among Britain's angry young dramatists. The Kitchen describes with stupendous drive a day in the help's half of a big London restaurant...

Author: /time Magazine | Title: Cinema: Pressure Cooker | 11/3/1961 | See Source »

Confined to the prison hospital on a liquid diet prescribed by his physician, Russell issued a gloomy statement: "I am to be silenced for a time, perhaps forever, for who can tell how soon the great massacre will take place?" Fellow Prisoner Arnold Wesker, one of Britain's more promising and depressing new playwrights (Roots, Chicken Soup with Barley), was less pessimistic. Sentenced to one month, Wesker asked for and received pencils, paper and a partly finished manuscript. His request for a typewriter and secretary as well was turned down...

Author: /time Magazine | Title: Great Britain: Philosopher in Jail | 9/22/1961 | See Source »

...Reports (CBS, 10-11 p.m.). A por trait of Britain, including talks with such nouveaux riches angry young authors as Novelist Alan Sillitoe, Playwrights Shelagh Delaney and Arnold Wesker...

Author: /time Magazine | Title: Cinema: Mar. 31, 1961 | 3/31/1961 | See Source »

Among the better evenings: Roots, Angry-Young-Man Arnold Wesker's honest but limited slice of lifelessness; Call Me By My Rightful Name, an interracial-triangle drama; The Connection, Jack Gel-ber's graphic re-creation of a junkie's pad; The American Dream, Edward Albee's surrealistic situation comedy; The Zoo Story, Albee's famed mano a mano between Natural and Ivy League Man, running on a double bill with Samuel Beckett's lucid monologue, Krapp's Last Tape; Hedda Gabler, another excellent production in the Fourth Street Theater's Ibsen...

Author: /time Magazine | Title: Cinema: Mar. 24, 1961 | 3/24/1961 | See Source »

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