Word: western
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Dates: during 1960-1969
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During World War II, the western dwindled in popularity, but the hero could pull more than one trigger. Wayne switched from Colt to M-l and became a screen soldier. He was a bit unsteady out of the saddle, but there was conviction behind his "Let's get the Nips!" rallying cry. Part of it came from his disappointment at missing the action. He was too young for World War I. As father of four, he was draft-exempt during the second. Still, he treasured a notion of himself in officer's garb. "But I would have...
This time Wayne was rescued by Screenwriter Borden Chase, who created a role that Wayne could play, he predicted, "for the next 20 years." The movie was Red River, a western version of Mutiny on the Bounty with the range as the ocean and John Wayne as a pistoled and Stetsoned Captain Bligh. Wayne was at last allowed to play his age (41). Like a man loosening his belt and taking off his tie after a day in the office, the Duke was relaxed, secure and solid. The kid had gone respectable and become a father. Red River...
...Still, even if he was immortal, he wasn't getting any younger. There was catching up to do. At a time when other men start to think about bifocals and social security, Wayne began to learn his lines for The Sons of Katie Elder, a typically nuance-free Wayne western about four lusty, brawling brothers. But that was just for loot. Now that he was back on his feet, some things were griping him. The moral backslide, for one. He stumped for his friends Barry Goldwater and Ronald Reagan. "I said there was a tall, lanky kid that...
Many viewers presumably tune in not for the comedy but for the country-and-Western songs that fill up nearly one-third of Hee Haw's air time. There are top-name guests, and the hosts themselves are no slouches. Roy Clark-the one who looks like a heftier Sander Van-ocur-was twice the national banjo champion. Guitarist-Composer Buck Owens-the cross between Andy Griffith and George Segal-is a leading country recording artist...
...touchiest issues for Roman Catholicism is the reintroduction of African culture into the church. Most converts have long identified Catholicism with the Western European liturgy that they first learned. (TIME'S Rome Bureau Chief James Bell reported last week from Kampala that the Credo sung by Ugandan Catholics during the Pope's visit to Rubaga Cathedral was the purest Latin he had ever heard.) Until recently, older converts and African priests had resisted such innovations as Mass in the vernacular, native songs, instruments and dances, looking on them as part of their rejected past. Experimental native works like...