Word: westerners
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Dates: during 1960-1969
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Whether used for good or ill, courage has never been in large supply in any society. Today's troubled feeling that it used to be far more common stems from the relatively recent Western belief that individualism equals virtue. The notion is contrary to the older (and Eastern) conviction that virtue lies in seeking balance with the community on earth and with the universe beyond. Especially in America, where individual courage once tamed the wilderness, pessimists now see an antlike mass society. There is no West to be wild in; the only terra incognita is under water. The plains...
...predatory expansionist policy? That is not their method. Their technique is through people's liberation wars. Vietnamese, not Chinese, have to die in Viet Nam. The whole world has got to live with China. It is up to the major powers-America, Russia, Japan and the countries of Western Europe-to come to some accommodation first. Then the countries of Southeast Asia can find accommodation with China within the framework of the United Nations, I hope...
This elysian community actually exists. Its habitat is Africa's Kalahari Desert, a region so harsh and inhospitable that Western man would be hard put to eke out a living. But in that unforgiving neighborhood, the Bushmen, a golden-skinned, short-statured and cheerful people, have been living contentedly for thousands of years as hunter-gatherers subsisting on what nature provides without resort to agriculture. In Man the Hunter (Aldine Publishing Co., $6.95), a recent symposium of studies on primitive societies, Harvard Anthropologists Irven DeVore and Richard B. Lee note that "cultural Man has been on earth for some...
...calories and 93.1 grams (3.26 oz.) of protein-well in excess of the estimated daily allowance for people of their vigor and size (1,975 calories, 60 grams of protein). The Bushmen have about the same proportion of people over 60 in their society as are found in Western nations...
Plays like these are indirect in their message because they must be; yet at the same time they make far more vital theater than any straight anti-Communist polemic. In other responses to the Russians and to their native hardliners, Czech directors have repeatedly put on Western plays with themes of conscience and freedom. They have reached back for historical plays that echo themes of patriotism, power and treachery. The most arresting of these is King John, in the recent adaptation by Friedrich Dürrenmatt, which turns Shakespeare's melodrama into a brutal and very moving confrontation...