Word: westernness
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Dates: during 1960-1969
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Robert L. Wolff, '36, authority on relations between eastern and western Europe, has been appointed Coolidge Professor of History at Harvard. He will assume the post on July...
...Faustus (Lou Antonio) makes a pact with the Devil. He wills his soul to eternal damnation for 24 years of life, during which he will unlock all the secrets of the universe, command all earthly power, be granted every whim of pleasure. The request makes Faustus an archetype of Western man, with his aspiring mind, towering ambition, compelling curiosity and vaulting pride. With Mephistophilis to do his bidding, Dr. Faustus conjures up spirits, becomes invisible, plays pranks on the Pope, and makes love to Helen of Troy ("Was this the face that launch'd a thousand ships...
Long before Poet T. S. Eliot expounded his theory of the "auditory imagination," Pioneer Adman Earnest Elmo Calkins used pocket poetry to make "Phoebe Snow" glamorize passenger service on the coal-burning Delaware, Lackawanna & Western Railroad. Slogans nearly always overload the language and often debase it ("cof-fee-er coffee"). English teachers curse Madison Avenue for institutionalizing bad grammar with such calculated lapses as "us Tareyton smokers" and "like a cigarette should." By contrast, some of history's most enduring slogans were plucked from literature. Winston Churchill's call to "blood, sweat and tears"-boiled down from...
...minute rehash of the vivid Japanese classic Rashomon. At worst, it is a clear case of Occidental death. In remaking Director Akira Kurosawa's 1952 Oscar winner, the producers have added a bumper crop of cactus, presumably hoping to repeat the success of The Magnificent Seven, a western based on Kurosawa's epic tale of the samurai. Assigned to this prickly task are Star Paul Newman, Director Martin Ritt and Photographer James Wong Howe, all covered with pay dirt from their triumphant collaboration in Hud. The result this time is a slick, shallow olio of rape, murder...
Like the Japanese original, the American remake weaves four differing versions of a crime into a philosophical conundrum about the nature of truth. While waiting out a thunderstorm at a desolate western whistlestop, three men fall to reminiscing about all the sex and sinnin' that came out at a badman's trial for murder. Seems a Southern dandy (Laurence Harvey) and his wife (Claire Bloom) had been lured into a woodsy glen by a notorious Mexican bandit (Newman), who bound the husband to a tree and then raped the wife. Later, the husband was found dead...