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...seasoned Wagnerian troupers as could be found in any opera house the world over. Some of them (Elisabeth Rethberg, Lotte Lehmann, Friedrich Schorr, Emanuel List) were veterans of leading German and Austrian opera houses. Some (Lawrence Tibbett, Julius Huehn) were U. S. singers. Many (Kerstin Thorborg, Karin Branzell, Gertrud Wettergren) were, like Tenor Melchior, Scandinavians. Sturdiest of all these sturdy troupers has been gargantuan, jovial Tenor Melchior, for 14 years the Met's leading Tristan, Siegmund, Siegfried, Lohengrin, Parsifal, Tannhäuser...

Author: /time Magazine | Title: Music: Great Dane | 1/22/1940 | See Source »

...many of whom Johnson inherited with his job, turned out to be another problem. Out of 19, only two achieved real success. Australian Soprano Marjorie Lawrence sang Brunnehilde dramatically, if unevenly, startled operagoers by mounting a horse in Gotterdammerung and galloping off stage as Wagner prescribed. Scrawny Swedish Gertrud Wettergren proved to be a siren as Amneris in Aida, a sensitive Brangane...

Author: /time Magazine | Title: Music: Met's Metamorphosis | 12/21/1936 | See Source »

...dresses, sat the 80 women who make up her orchestra. To pay her respects to Scandinavia and the thousands of Chicagoans who came from there, Conductor Sundstrom had planned a predominantly Swedish program, packed the stage with Chicago's Swedish Choral Society, brought with her Swedish Contralto Gertrud Wettergren, the big, brown-haired, rawboned Valkyrie who first sang with the Stockholm Opera in 1922, took parts in two Swedish talking pictures, excited Manhattan audiences last winter by the sparkle and passion of her Carmen, so endeared her singing to Sweden's King Gustaf V that he made...

Author: /time Magazine | Title: Music: Swedish Night | 11/23/1936 | See Source »

Regal in a fur-trimmed, flamingo gown, Contralto Wettergren went through her usual Swedish rigmarole of demanding a kick in the rear for good luck on her open-ing night. Beauteous Mrs. Edward Morris performed this kickoff. Then Wettergren rippled through an aria from Thomas' Mignon, squatted rather than bowed to accept a bouquet of chrysanthemums from the Swedish Choral Society. But what brought the Chicago audience to its feet and earned Singer Wettergren five encores was a group of Swedish and Finnish songs. She sang these, according to Critic Claudia Cassidy of the business-like Journal of Commerce...

Author: /time Magazine | Title: Music: Swedish Night | 11/23/1936 | See Source »

Appointed. Gertrud Wettergren, able Swedish mezzo-soprano of Manhattan's Metropolitan Opera (TIME, Dec. 2 et seq.): to be court singer, by Sweden's King Gustav...

Author: /time Magazine | Title: Milestones, Jul. 13, 1936 | 7/13/1936 | See Source »

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