Word: wetting
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...reporter's bible, a 32-page pamphlet containing such pearls of wisdom as "Each reporter must bring his or her own pens to the building. But beware, The Crimson is crawling with pen thieves. Guard pens carefully. (Helpful hint: pens don't work well when wet. The well-prepared reporter always has a couple of pencils handy to use while covering rainy-day protests and rallies...
...reason for the hardball in Elian's case: next week U.S. and Cuban officials are set to haggle over immigration issues. Cuba wants Washington to end the "wet feet, dry feet" rules that allow any Cuban who makes it to U.S. soil to be eligible for refugee status, while those intercepted by the Coast Guard are sent back. Elian will be oblivious to the debate: he celebrates his sixth birthday this week...
...sheer malice that is most intensely manifested in his cruelty towards the inmate Eduard Delacroix. First, he breaks his fingers with his billy club; then, he crushes Mr. Jingles beneath his boot, necessitating John's magic to bring him back; and, most horribly of all, he neglects to wet the sponge during Delacroix's execution (the wet sponge on top of the prisoner's head conducts electricity directly to the brain, allowing death to occur sooner and less painfully), resulting in a gruesome electrocution scene. John alone recognizes the evil that is everywhere, and the burden of this insight weighs...
...Last year, Christopher J. Perriello '99, bought basins, drains and pumps, and screwed them together to create a tropical waterfall with a six-foot drop in his dorm room. The fluorescence mixed in with the water gleamed under his black lights. Outside, the cold New England ground was wet with gray rain, but inside, warm tropical water splashed down to a rock beach dotted in shells and starfish. Perriello painted fluorescent mermaids on his walls and installed recessed fish tanks behind his homemade wall of water, creating what he calls a "life-sized aquarium." The bamboo shades and the large...
Rockwell could. He knew how a few brushstrokes can mimic wet hair, effulgent sunlight, gunmetal, crinoline, catsup, cardboard, painted brick and polished linoleum. And he got those effects without losing sight of the muddy pleasure of pigment itself, a fundamental notion of modern painting. In a few inches of sailcloth or the slip worn by his Girl at Mirror, he could put white paint through as many adventures as Robert Ryman does in his snow-flurry abstractions. As for his pieties, they turn out sometimes to be the same ones fundamental to civil society. By nothing less than an actual...