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Quinn admits to feeling out of place initially in some of these courses. “I had to walk into classes with people who had been dancing for 14 years and stand in the back and basically feel like an asshole because they all knew what they were doing...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Patrick Quinn ’10 | 4/27/2010 | See Source »

Nowhere is this gift more evident than in his most recent piece in the HRMDC’s spring show, “In Transit,” which is titled “March 20, 1995.” Inspired by the sarin gas attacks in the Tokyo subway...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Patrick Quinn ’10 | 4/27/2010 | See Source »

After an application process in the fall, the freshmen involved in FACES spent much of the second semester participating in what Sullivan calls “community-building arts workshops,” creating work to be presented at the Arts First showcase. The end product will be a unique...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: FACES: Who We Are | 4/27/2010 | See Source »

The work displays a transcendence of the image-sound boundary, a transcendence which generates psychological disruption and shock in the viewer. But further than this analysis, we should not attempt to ponder. Any meaning the film has is what it arouses in the individual; there is no universal symbolism to...

Author: By Sarah L. Hopkinson, CONTRIBUTING WRITER | Title: NEW VISUAL ALBUM: The Sound and Fury of Animal Collective | 4/27/2010 | See Source »

Friedman is, in a way, relieved to have delayed her jump into a competitive artistic environment. After an open call for the Spring Awakening National Tour, she says, “It was such a relief to come back here and have conversations with real people who could talk about...

Author: By Victoria J. Benjamin, CONTRIBUTING WRITER | Title: Talisa Friedman '10 | 4/27/2010 | See Source »

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