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Ultimately, the show’s oppressive length, tedious scene changes, and convoluted philosophizing obfuscate the majority of its positive elements, which are primarily found in the actors. Perhaps most frustratingly, the production takes what could have been a compelling period epic and spoils it with sluggish direction. The show?...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: ‘Danton’ Drags Painfully Toward Death | 4/6/2010 | See Source »

Down-on-his-luck janitor Don McKay (Church) receives a letter from his high school sweetheart Sonny (Shue), informing him that she is critically ill and wants to see him before she dies. Abandoning his swiffer, he rushes to her side—but what begins as a redemptive romantic...

Author: By Sally K. Scopa, CONTRIBUTING WRITER | Title: Don McKay | 4/6/2010 | See Source »

The bland dialogue of the opening scenes pretty much sets the tone for what one can expect from the following hour and a half. As her brother makes reference to her recent arrest, Ronnie replies, oh-so-cleverly, “Jonah, I didn’t do it, ok...

Author: By Francis E. Cambronero, CONTRIBUTING WRITER | Title: The Last Song | 4/6/2010 | See Source »

Praising the student creators of the evening’s installations, Hagebölling said, “Media scenography is exciting for young people today because of the openness of the field and the new technological developments in media... We are constantly looking back to see what we can...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: Hagebölling Explores New Intermedia | 4/6/2010 | See Source »

“Moody has become known as a great entertainer. He invites [the audience] into what he does. He enjoys what he does. Like his mentor Dizzy Gillespie, he puts people at ease,” says Thomas G. Everett, director of the Harvard University Band.

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: OFA Honors Moody's Jazz | 4/6/2010 | See Source »

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