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Did you have models in mind or movies that you were working against? A little bit of both. For me, movies like Platoon and Saving Private Ryan, Schindler's List and Apocalypse Now, were not just cinematic experiences but were informative in terms of creating a sense of what those...

Author: /time Magazine | Title: Oscar Week: Hurt Locker Writer Mark Boal | 3/4/2010 | See Source »

But in terms of storytelling, I wanted to go in a different direction. The challenge is, how do you take some of the themes of the traditional war movie, which are kind of immutable - war is hell, the brutalizing aspects of combat - and do it in a contemporary way that...

Author: /time Magazine | Title: Oscar Week: Hurt Locker Writer Mark Boal | 3/4/2010 | See Source »

What stands out about your time on set? What I remember of it most was the overwhelming pleasure and sense of satisfaction seeing the actors perform the characters that I had invented. That was an incredible thrill, unequaled by anything I'd ever done as a writer. Your work is...

Author: /time Magazine | Title: Oscar Week: Hurt Locker Writer Mark Boal | 3/4/2010 | See Source »

Tell me about the part you wrote for Ralph Fiennes. It was a late addition to what was basically the final draft, because we needed him to trigger the financing because of his stature and name recognition. I wrote a part where he plays a diplomat, and he hated it...

Author: /time Magazine | Title: Oscar Week: Hurt Locker Writer Mark Boal | 3/4/2010 | See Source »

Did you have any sense of what was going to happen to this movie? I thought it was going to be released in France and Bangladesh. That was my sense of it. I was keeping my fingers crossed and hoping we would find a U.S. distributor, and we did. But...

Author: /time Magazine | Title: Oscar Week: Hurt Locker Writer Mark Boal | 3/4/2010 | See Source »

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