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THC: What are your opinions on the state of Cuban music today? You and many of your colleagues represent, in a way, the old guard of Cuban music. Do you like the new direction that Cuban music is headed?

Author: By Araba A. Appiagyei-Dankah, CONTRIBUTING WRITER | Title: SPOTLIGHT: Omara Portuondo | 2/23/2010 | See Source »

Yashinsky says that the temporal and geographical shift of the opera has been an artistically liberating move. “If Tosca is in a panic, she can call her friend on the phone. It’s closer to real life, and that’s what this story...

Author: By Lauren B. Paul | Title: Tosca | 2/23/2010 | See Source »

Attempts at the type of overarching themes that usually elevate Scorsese’s films are disappointingly cursory. Daniels’ violent tendencies lead only to a brief meditation—“God loves violence…it’s what we are,” declares...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Shutter Island | 2/23/2010 | See Source »

Damien S. Chazelle ’08, a VES graduate, took advantage of what Boston had to offer in a different way. He worked the energy of the Boston jazz scene and cityscape into a full-length feature film. His film, “Guy and Madeline on a Park...

Author: By Abigail B. Lind and Rebecca A. Schuetz, CRIMSON STAFF WRITERS | Title: The Scenic Route | 2/23/2010 | See Source »

Chazelle could not have realized his project without continuing support from the Harvard community. A fellow VES concentrator, Jasmine A. McGlade ’07 produced “Guy and Madeline,” while his former roommate Justin G. Hurwitz ‘08 composed the score. Even...

Author: By Abigail B. Lind and Rebecca A. Schuetz, CRIMSON STAFF WRITERS | Title: The Scenic Route | 2/23/2010 | See Source »

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