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Like factory and office workers, farmers suffered through a year of upheaval. Following the Soviet invasion of Afghanistan, President Carter suspended shipment of $2.6 billion worth of corn, wheat and soybeans to the Soviet Union. Farm prices immediately collapsed, with the price of corn falling by 10% within three days of trading, the price of soybeans by 8% and that of wheat by 9%. Many farmers suffered a second disaster when a searing summer heat wave and drought scorched crops and pasture lands from Texas to North Dakota. The temperature in Dallas was over 100° for 53 days...

Author: /time Magazine | Title: Business: Outlook '81: Recession | 12/29/1980 | See Source »

...battered suitcase. France's favorite comedian Michel Colucci-known better as Coluche-is opening his nightly act at Paris' Théâtre du Gymnase. "Hey," Coluche begins in his usual patois, "we've negotiated a fantastic deal with the Soviets: we give them all our wheat, and they let us keep our coal." The son of an Italian immigrant house painter, Coluche, 36, has now become something more than a nightclub satirist puncturing the pretensions of politicians and diplomats in the coarse argot of la France profonde-the real France of factory workers, small farmers...

Author: /time Magazine | Title: FRANCE: Not So Funny | 12/22/1980 | See Source »

...drink your oil you shmuck, we'll eat our heads of wheat...

Author: By Scott A. Rosenberg, | Title: Tunes of Glory | 12/1/1980 | See Source »

...shorter than the other; the 3-ft.-high bronze krater, or urn, found in a grave at Derveni, encircled by Dionysian figures going through the motions of a languid orgy. And there will be several miniature oohs at the smaller bronzes and the medallions and the three ears of wheat fashioned in gold, life-size and perfect (used as a funerary offering). But the main effect of the show will come after it has left the eyes and visitors begin to mull over the enormity of what is implied here. Most exhibitions create silence. This one should cause insistent talk...

Author: /time Magazine | Title: Art: Alexander Takes Washington | 11/24/1980 | See Source »

THERE IS A fundamental miscalculation in the new production of Uncle Vanya--the distance it puts us from the actors. Derek McLane's attractive set consists of a tall house frame, cocked at a slight angle upstage, and, to its right, a large patch of wheat and two swings that seem to reach forever up to the proscenium arch. The action after the first act is confined mainly to the house, which is towering but not very roomy, divided as it is into different levels. The actors, then, are both distant and dwarfed, surrounded by space and yet cramped...

Author: By David B. Edelstein, | Title: So Far Away | 11/18/1980 | See Source »

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