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...Yorkers with an urge to keep the concrete at bay usually settle for sooty geraniums on a windowsill. Not Agnes Denes, 43, a New York conceptual artist. Her creation, only six blocks from the bustle of the World Trade Center, is a two-acre wheatfield. Shifting and shimmering as the sun and harbor breezes play across it, the minifarm lends an improbable air of Manhattan, Kans., to lower Manhattan...

Author: /time Magazine | Title: Environment: Amber Waves of Grime | 8/23/1982 | See Source »

...idea behind the project, Denes says, was to devise "an intrusion of the country into the metropolis, the world's richest real estate. To grow a wheatfield on it, seemingly such a waste of precious space, is to create a powerful paradox: the congestion of the city of competence, sophistication and crime against the open fields and unspoiled farm lands...

Author: /time Magazine | Title: Environment: Amber Waves of Grime | 8/23/1982 | See Source »

...Manhattan wheatfield has created its own environment. Says Denes: "We have praying mantises, spiders that change color to resemble the wheat-Day-Glo yellow and brown-fireflies and a sweet country smell." They also have a harvest of problems. The wheat contracted a blight called wheat smut, plus mildew from the early summer rains. John Ameroso, a Cornell University agronomist who is Denes' horticultural adviser, says the crop is "distressed" and must be harvested early...

Author: /time Magazine | Title: Environment: Amber Waves of Grime | 8/23/1982 | See Source »

...yanked temporarily, and other jobs proved scarce. "I was blacklisted and put down for what I believed in," she says. "People finally realized that I was being mistreated." The TV show, produced by Anita Bryant Ministries, blends "wholesome entertainment, God and country" and ranges from West Point to a wheatfield in Bryant's native Oklahoma to Valley Forge, where she sings The Battle Hymn of the Republic in pouring rain...

Author: /time Magazine | Title: People, Feb. 4, 1980 | 2/4/1980 | See Source »

...reds and pastels in others; now he moves the camera, now the subject. Pianos eat, and heads move independent of bodies; this strange world defies definition, adding a new dimension to Parisian impressionism: the paintings can move. The film ends with a stunning reproduction of a Van Gogh wheatfield; a flock of ravens flies to the foreground and the frame freezes...

Author: By David Frankel, | Title: Animated Characters | 1/31/1980 | See Source »

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