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...this meeting to conduct an excommunication of President Nixon from Christianity. A young Catholic priest and Harvard doctoral candidated, G. Ronald Murphy, presided with assistance from clergy of several other faiths. After a welcome and prayer, scriptural passages were read, the most material being 1 Corinthians 5:9-13, wherein sanction is given for judging those within but not those without the church: " 'Drive our the wicked person from among...

Author: NO WRITER ATTRIBUTED | Title: Law and the Kingdom, Part I: Cracks in the Wall of Separation | 11/3/1970 | See Source »

Harpo's production of Oedipus makes a similar statement about the bogus exaltation of human tragedy to cathartic spectacle, wherein great men fall from pinnacles in the all-seeing determinist universe of the Fates. Director Laurence Senelick has chosen the Seneca version over the traditional Sophocles "to remove the play from the realms of both Freudian psychology and aloof neo-classicism." This may also mean that he has chosen a play which, because of its gore and violence, leads to a denial that there is anything more in suffering than suffering; a denial that tragedy can be uplifting in transcending...

Author: By David R. Ignatius, | Title: At Agassiz Seneca's Oedipus | 7/10/1970 | See Source »

...merely a sex-obsessed boudoir-supremacist womanizing his way to damnation, but as a supranatural embodiment of alienated man, offered up as an atoning sacrifice. This quasi-religious element is pointed up by a Prologue-Epilogue that frames Moliere's play-a blackish Mass wherein sinister, cowled figures sacrifice a goat. The animal's corpse on the altar diminishes by bloody stages throughout the action, as Don Juan moves on to his own final holocaust in a cataclysm of light and,, sound...

Author: /time Magazine | Title: Theater: The Alienated Seducer | 6/15/1970 | See Source »

Backstage Defenses. The final hours and minutes are the worst. Just before his entrance, the actor may experience "blocking"-nothing less than disconnection "from all avenues of functioning, including speech." Onstage, blocking gives way to "depersonalization," wherein an observing self watches, as if from afar, a performing self. This terminal point of stage fright is blessedly brief: "Full recovery," says Kaplan, "is usually rapid...

Author: /time Magazine | Title: Behavior: Omygod | 3/30/1970 | See Source »

...newsreel photography." The compositions of Fary, however, go beyond realism to present situations so explicitly that they verge on symbolic caricature, as in Eisenstein. We are repeatedly struck by shots of the raving lynch mob, Tracy, and the defendants looking into the camera. Even more powerful are the shots wherein the camera tracks right in on characters, or equivalently where characters run almost into the camera, then stop...

Author: By Mike Prokosoll, | Title: The Moviegoer Fury tonight at 9:30. 2 Divinity Avenue | 2/25/1970 | See Source »

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