Word: whiffs
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Forward to Zero. To most artists, however, the real lure is Düsseldorfs tantalizing whiff of Zeitgeist. The city's brusque hurly-burly provides both their modern subject matter and technological means for expressing their art. Gotthard Graubner, an abstractionist, for example, paints on huge, cloudlike formations of polyester produced at nearby factories. Peter Brüning, who like Winfred Gaul, is fascinated with traffic and touring maps, points out that he lives in Düsseldorf because it is the geographical center of a "seemingly endless area where roads become the interconnecting arteries between every possible manifestation...
There is a whiff of the diabolical about him. He has razor-slit eyes, a maniacal cackle, and the toothy grin of a cougar at feeding time. Above all, in the role of the flip, fearless roue, he exudes a musky eau de Coburn that women find exhilarating. "Funky, groovy," is the way Camilla Sparv, his co-star in Dead Heat on a Merry-Go-Round, describes his appeal; "mysterious" is the verdict of Julie Andrews, who appeared with him in The Americanization of Emily...
...Marine art is given its due in this splendid account of state barges, navigational instruments, figureheads, decorative rope and scrimshaw (see cut, opening page). The ships themselves come in all styles and ages from Mississippi steamboats to Malay proas, from Chinese dragon boats to Atlantic liners. An enjoyable whiff...
...majority that was obviously determined to defend the court's earlier admonitions to police, urging them to make more use of scientific crime-detection equipment. For that was just what a Los Angeles policeman was doing after a 1964 auto accident, when he caught a whiff of booze on Armando Schmerber's breath and ordered a doc tor to give Schmerber a blood test, even though the defendant objected on the advice of his attorney...
Glorious Wickedness. There is also a faint whiff of post-adolescent Holden Caulfield about John Fist in this ambitious and often amusing novel. Old Pro John Hersey has a deeper purpose than picturing the humiliation of being young, however. Combining the sound reporting skill he employed in A Bell for Adano, and The Wall with the wild imagination he showed in The Marmot Drive and White Lotus, he has tried to explore the collegiate mind, to understand why today's undergraduates are so hard to communicate with, so susceptible to aimlessness, boredom and rebellion...