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...Between Two Moons," choreographed by Harvard senior Andy Borg as his thesis, is a subtle satire. Three harlequins meet on what appears to be an empty city street at night. The figures come swirling together, "sharing energies" as Borg puts it, only to unmask themselves after the encounter and whirl apart. In "Plot," more obvious parody accompanies a more explicit depiction of the relationships between the characters. A pair of female clowns performs whenever a male clown, shod in huge flippers, blows on his horn. Two strolling figures enter and, by depriving the trumpeter of his supporting props, leave...

Author: By Diane Sherlock, | Title: Falls The Shadow | 5/13/1976 | See Source »

...Wellesley waves which would ebb and whirl...

Author: By Michael K. Savit, | Title: Refs Like Wellesley, But 'Cliffe Polo Still Triumphs | 5/6/1976 | See Source »

...instrumentalists in a glowing recital of vocal music. The mood shifts in a varied repertory that encompasses Schumann's playful duet Das Glück as well as Chausson's haunting Chanson Perpetuelle, sung with grave beauty by Von Stade. Blegen's supple trills whirl with Gerard Schwarz's bright trumpet through Alessandro Scarlatti's aria Se geloso e il mio core...

Author: /time Magazine | Title: Music: Classical Records | 4/12/1976 | See Source »

...Administration or an aroused student body. That clubs lived through the late sixties amazes me, yet attests to their strength as an institution. They are needed, evidently. And I reckon these women need one too. To these undergraduates who thrill to fly in the stratosphere of high society, and whirl about in the expensive costume party of formal dinners, dances, and cocktail parties, final clubs are needed for a happy existence here. Everybody develops their own escape hatches from the weirdness at Harvard, whether they are institutionalized or not. Let them have their clubs ... some of my best friends belong...

Author: NO WRITER ATTRIBUTED | Title: WOMEN'S CLUB | 3/25/1976 | See Source »

...instance, which has to be stuck in every year, is introduced by Preston, who says, "C' mon people, let's make movies!" And it isn't just a kick-line; the choreography is sophisticated enough to include a parody of the Busby-Berkeley extravaganza: the dancers break apart and whirl around in circles, then make several lines and wave their arms in the air like grass in the wind while the cymbals rise and fall like waves...

Author: By Gregory F. Lawless, | Title: Guess You Had to Be There | 3/8/1976 | See Source »

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