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...secret. Finally he let the word slip out to a friend. Last week all Brazil was abuzz about the reluctant claim of João de Freitas Guimaraes. 48. a wealthy, respected professor of Roman law at Santos' Catholic University. Did the professor really take an hour-long whirl through outer space in a flying saucer...

Author: /time Magazine | Title: Science: Cups or Saucers? | 9/9/1957 | See Source »

...before pulling his ripcord. The skillful sky diver leaves the plane spread-eagled, looking somewhat like a highboard swan diver, his body horizontal. Despite falling speeds up to 120 m.p.h.. the body is remarkably stable in this position. Properly executed, a sky dive is spinproof (accidental spins can whirl or tumble the body up to three times a second, black out the jumper) and keeps the diver on his belly, so his backpack chute can open without fouling. In addition, the sky diver becomes a sort of low-efficiency glider. By moving his arms and legs, he can change...

Author: /time Magazine | Title: Sport: The Case for the Parachute | 8/5/1957 | See Source »

...passport back to the glittering world of Manhattan society. Nine years ago Joanne, a ripe, 18-year-old beauty, began to see the same dazzling future that her mother saw, began to understand that a radiant smile and a certain passive sophistication (plus society friends) could conquer the social whirl...

Author: /time Magazine | Title: MANNERS & MORALS: End of the Chronicle | 7/15/1957 | See Source »

Farsighted Gamblers. Before Strickland came to town, every cub reporter in New Orleans knew that Sheriff William S. Coci's Jefferson Parish was the place to roll dice on green felt tables and bet on the hushed whirl of the roulette wheel. But no reporter could document the story in depth because the farsighted gamblers had taken the precaution of getting pictures of every newsman in town. When a reporter showed up, sharp-eyed bouncers gave him the thumb...

Author: /time Magazine | Title: The Press: New Boy in Town | 6/17/1957 | See Source »

...psychological narrative of Ford Madox Ford: the first one with its use of colors, the second with its mutely horror-stricken irony and its dramatic development. Freeman's contributions are by far the most sincere and effective ones in the issue. John Hollander's and Richard Howard's joint whirl into impressionism is the only other serious poem which need be taken seriously. Sandra Hochman's two poems, however, at least have an appealing delicacy and simplicity. John S. Coolidge's Mare Imbrium, despite its inclusion in the anti-dull Audience, is dull. At the bottom of the heap, however...

Author: By Frank R. Safford, | Title: Audience | 5/28/1957 | See Source »

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