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...Postimpressionists, like Bonnard (the nudes in bedrooms) or Toulouse-Lautrec (the music-hall scenes). But one needs to remember that Sickert was slightly older than most of these painters. He was born in 1860; they hardly influenced him at all. The men who did were pre- rather than Postimpressionist: Whistler, Manet and, above all, Degas. Sickert had worked for Whistler as a studio assistant in the early 1880s, and Whistler gave him a letter of introduction to Degas. A strong friendship grew up between...

Author: /time Magazine | Title: Art: Music Halls, Murder and Tabloid Pix | 1/25/1993 | See Source »

...some final way, analysis itself. He is to realism what Piero della Francesca is to abstraction. First Edouard Manet and then a whole succession of French painters from the 19th century into the 20th (not to mention English and American ones as well, in particular Sargent and Whistler) were transfixed by Velazquez when they found him on their pilgrimages to the Prado. Francis Bacon contorted Innocent X into his own series of screaming Popes. Picasso did a knotty and unsuccessful series of "variations" on his work, attempting to reconstruct it in terms of something other than empirical vision. Velazquez...

Author: /time Magazine | Title: Art: Velazquez's Binding Ethic | 10/9/1989 | See Source »

...WHISTLER AND HIS CIRCLE, Minnesota Museum of Art, St. Paul. Etchings, lithographs and paintings representing Whistler's high achievements in those media, as well as his influence on other late 19th century artists, chiefly such Americans as Joseph Pennell, Charles Keene and John Marin. Through June...

Author: /time Magazine | Title: Critics' Choice: May 8, 1989 | 5/8/1989 | See Source »

...WHISTLER AND HIS CIRCLE, Minnesota Museum of Art, St. Paul. Etchings, lithographs and paintings representing Whistler's high achievements in those media as well as his influence on other late-19th century artists, chiefly such Americans as Joseph Pennell, Charles Keene and John Marin. Through June...

Author: /time Magazine | Title: Critics' Choice: May 1, 1989 | 5/1/1989 | See Source »

...WHISTLER AND HIS CIRCLE, Minnesota Museum of Art, St. Paul. Etchings, lithographs and paintings representing Whistler's high achievements in those media, as well as his influence on other late-19th century artists, chiefly such Americans as Joseph Pennell, Charles Keene and John Marin. Through June...

Author: /time Magazine | Title: Critics' Choice: Apr. 24, 1989 | 4/24/1989 | See Source »

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