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...Young Communist League Organization in the late '30s, Nikolai Khokhlov was only interested in becoming an actor and eventually a movie director. He played a few bits in Russian plays and movies, and even made himself a small reputation on the variety stage as an "artistic whistler." When the Nazis invaded Russia, he volunteered for frontline duty, but was rejected because of bad eyes. As the Nazis drew near to Moscow, however, Khokhlov was recruited, along with many other young actors and artists, by the NKVD (the MVD of the time) to fight a rear-guard guerrilla action...

Author: /time Magazine | Title: Foreign News: The Whistler | 5/3/1954 | See Source »

John remembers that in his student days he was "enslaved" by one of the few Americans who ever captured London: James Abbott McNeill Whistler. Actually, his work recalls another American artist whose successes in England were even greater than Whistler's: John Singer Sargent. John learned from both and came to paint personalities just as brilliantly, charmingly, and revealingly as his masters had. Delineating the mind-heavy brow of G. B. Shaw (opposite), John's brush is icicle-sharp. Gliding across the bosom of the Marchesa Casati (overleaf), it turns feather-soft. He naturally places his technique...

Author: /time Magazine | Title: Art: LION AMONG THE LIONS | 3/22/1954 | See Source »

...Whistler: "Yes. I am very much flattered at your seeing that...

Author: /time Magazine | Title: Art: Expatriates in Chicago | 1/11/1954 | See Source »

...Whistler won his case, but the judge awarded him damages of just one farthing and, by making him pay the court costs, helped force the painter into bankruptcy...

Author: /time Magazine | Title: Art: Expatriates in Chicago | 1/11/1954 | See Source »

Says Curator Sweet of the three expatriates: "Whistler developed a style almost entirely his own-a kind of impressionism quite different from the French. Sargent followed European portrait traditions, but he did it better than the Europeans; he had an American enthusiasm and directness. Mary Cassatt was very vigorous and stimulating, and I think the French artists of the time were aware of it." All in all, Sweet concludes, the three brought more to European art than they gained from...

Author: /time Magazine | Title: Art: Expatriates in Chicago | 1/11/1954 | See Source »

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